Synopsis
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\pard\keepn\s1\fi720\sb360\sa120\qj\kerning32\b\f1\fs28 synopsis\par
\pard\fi720\sa120\qj\kerning0\b0\fs24 chev chelios is about to begin his morning with an unexpected wake-up call. groggy, practically unable to move and with a heart that's barely beating, chev answers his cell phone and hears the voice of thug ricky verona, who reveals chev has been poisoned in his sleep and has only an hour to live.\par
as it turns out, chev is a hit man who freelances for a major west coast crime syndicate. and a run of the mill job the night before that was supposed to be like any other hit went unexpectedly awry: chev let his target go in an effort to quit the professional killing business and start a new life with his girlfriend eve.\par
now, chev must keep moving - literally - to stay alive. the only way to prolong the poison from stopping his heart is to keep his adrenaline flowing. as the clock ticks, chelios cuts a swath through the streets of los angeles, wreaking havoc on those who dare stand in his way. he must rescue eve from danger, stay two steps ahead of his nemeses as they try to eliminate him, and search for an antidote to save his own life.\par
\pard\keepn\s1\fi720\sb360\sa120\qj\kerning32\b\fs28 about the production\par
\pard\fi720\sa120\qj\kerning0\b0\fs24 for writer/directors mark neveldine and brian taylor, former commercial helmers making their feature debut, \i crank\i0 stemmed from their own personal desire to make a non-stop action movie. "we have add., and so do seventy million other americans," jokes neveldine. "and we wanted to make a movie that was just like a video game." adds taylor, "\i crank\i0 is the ultimate add movie. it's a crazy film."\par
\i crank\i0 takes place over the course of one frenzied day in los angeles, where chev chelios (jason statham), a hit man who is trying to give up the business in order to lead a more normal existence with his oblivious girlfriend eve (amy smart), wakes up to find that his nemesis verona (jose pablo cantillo) has poisoned him with a drug that will kill him if he slows down for even a minute. to outwit verona and his men, and finish off a job that involves the termination of a chinese crime lord named don kim (keone young), chev must rely on his physical strength, the help of his friend kaylo (efren ramirez) and the medical counsel of doc miles (dwight yoakam) to keep moving - and stay alive.\par
"with \i crank\i0 we wanted to do a movie where a guy was moving, moving, moving all the time. it's like \i speed\i0 , only instead of a bus, it's a guy. and if he slows down, he detonates," says taylor. "it gave us a built-in way to move the camera the way we like to move it and to attack the world of the character the way we wanted to attack his world."\par
that world is the seamy underbelly of los angeles. it was neveldine and taylor's original vision of this locale that initially attracted lakeshore entertainment producer skip williamson, who first became aware of the duo via their groundbreaking commercial reel and his close friendship with their agent micheal sheresky at william morris. "i heard about the guys through the grapevine," says williamson, "and knew they were doing stuff that was straight bananas! after checking their reel, i realized they really were on another level. they were doing everything from camera operating to rigging cars to moving lights around. the way they kept everyone happy, while still kicking ass, was very impressive. sheresky dropped me the script and twenty pages in i knew the combination of their style and storytelling was right on time."\par
lakeshore then began working with the pair, shepherding the script through various stages, right up until the camera started rolling. comments producer richard wright: "mark and brian wrote the script several years ago and they worked with us for the last eighteen months to put the film together. now, they're directing it, are the camera operators and have a great deal of input into the lighting. this is their film, and it's unusual in this day and age to have directors that are that responsible for that much of the overall creative process of the motion picture."\par
crucial to the success of the filmmaking process was casting the right actor to play chev. "he was supposed to be a guy from la," remembers taylor. "we never saw him as a brit. we went through so many american actors trying to find a man that had the sort of believable toughness of those beloved actors of the 1970s - the steve mcqueens and roy scheiders, the bad-arse dudes. and we don't have them over here, not that way anymore.\par
"but then we met jason and he's quite a guy."\par
"the screenplay was completely different from anything i'd ever read," recalls statham. "i mean, it's crazy. it's beyond crazy. there were so many great scenes. it was so full of violence, romance, comedy, drama. it's kind of ten movies in one."\par
taylor believes statham was able to nail every aspect of the film and the character: "it's a performance that's amazing to us every time we look at it. he really does just about everything in a movie that an actor can do, from being violent and physical to being low-key, charming and urbane. there's just so many different flavours to the performance - it's unreal."\par
unit production manager david rubin agrees with taylor's assessment: "before we started the movie, chev was the big question mark. he had to be a tough guy but also had to have a lot of heart. he's got to be agile, but shouldn't be a super athlete. he's got to be smart, but not too smart; funny but not too funny. it was amazing to come to work every day and watch jason take difficult action and make it look easy, and take difficult comedic timing and make it look funny. and then to sometimes have to do that all together in one scene is just incredible."\par
a majority of the comedy and romance in \i crank\i0 is the result of chev's relationship with his sweet and supportive girlfriend eve, who is played by amy smart. "eve is the antidote to the brutality of this guy's lifestyle and his personality," explains neveldine.\par
smart relished the chance to make an action movie for the first time and was instantly fascinated by the dynamic of the relationship between eve and chev. "i think they are the "opposites attract" type of relationship, where she is drawn to this dangerous, mysterious, tough guy who's really sweet on the inside. and it's the reverse for chev in that he's attracted to her because she's softer and holds a safe space for him to come to where he can get away from his crazy life. she's also under the assumption that he's a video game programmer and not a hit man. but when she does find out, there's such a strong connection that it almost becomes exciting for her."\par
statham believes the filmmakers couldn't have cast a better actress in the role. "eve represents everything chev is not - that pure soul, that peaceful person and he's just completely in love with her. she makes him feel there's a life out there worth living and amy just represents all of that. and she's to-die-for gorgeous, animated, loveable and quirky."\par
if eve represents everything good in chev's life, the character of ricky verona, played by jose pablo cantillo, embodies the dramatic opposite. when the film opens, and verona has poisoned chev, he is fully expecting him to die. but chev survives and, as the madcap day that \i crank\i0 chronicles transpires, chev winds up soaking up most of the attention that verona is seeking. \par
playing such a layered villain is one of the reasons cantillo was so attracted to the role. "you're dealing with these two hit men and mine [ricky] is the number two who wants to be the number one. but it's not a matter of taking out the competition, it's about style as well. he's got a bit of a grandiosity complex. nobody disrespects him. he'll kill for respect. and here comes this guy chev who treats him like a second-class citizen."\par
other characters who play principal roles in chev's life include his cross-dressing friend and informant kaylo, portrayed by efren ramirez, who first received major attention for his scene-stealing performance in \i napoleon dynamite\i0 . "kaylo is such a three-dimensional character," believes ramirez. "there's so much to this guy. he is a layered personality with lots of shades, and throughout the entire film they all become visible as i help chev find the bad guys."\par
the filmmakers were also able to convince dwight yoakam to join the film as doc miles, the medical practitioner who chev consults in an effort to help clear the poison from his system. yoakam shot all of his scenes on one day. "my character is kind of a rock-and-roll doctor that has a clientele that's predominantly the seedy sect of la society and i think he gets off on that." the actor/musician adds, "i read it and thought, 'you know what? in the scheme of the film, this could be a fun guy to go play.' i'm very flattered they asked."\par
directing such a large and diverse cast like the one employed on \i crank\i0 was only one of the challenges that first-time directors neveldine and taylor faced, but it was directly in-line with their hands-on approach.\par
statham, in particular, was impressed with the directors' abilities from the beginning. "i was very interested in the screenplay. when i met mark and brian, they started to explain it and showed me their reel. i saw that they had a very strict vision of what they wanted that sounded so different than a lot of the material out there."\par
yet even he didn't seem to realize that part of what the directors had in mind was neveldine strapping on a pair of roller blades and filming the action with a handheld camera. "they have this great freestyle way of shooting things. using this new generation of hd camera equipment allows them - because the cameras are so small - to get into places you'd never think of putting a camera," adds statham. "i'm driving along and they're sticking a camera between my legs. it's just so freeform. i've never seen anything like it. for me, the best experiences are working with people that have written it and can direct it. i never thought they would operate the camera as well. their talent is kind of endless."\par
digital image technician nick theodorakis immediately saw that neveldine and taylor were filmmakers who were willing to use hd to create their own unique look. "i was brought on board as a quality control to make sure that the look of the film passed a certain measure of acceptable quality standards that most movies go for," recalls theodorakis. "i realized the directors' look is one that totally fits not just their style, but the script for this frenetic film, and it fit perfectly. their look is frenzied and incredibly dynamic. there's a lot of movement but it goes beyond that. and it goes into the actual quality of the video that they're shooting."\par
theodorakis adds, "neveldine and taylor are big video fanatics, which is sort of refreshing because most of the time when i shoot high definition with people, they're shooting hd maybe because they can't afford film, or they view it as something that should just look like film. however, here are two young guys that actually grew up on video and look at it as an art form in itself, which is great because we could develop a look that is not quite film and not quite traditional video or hd. it's something that is just quintessential \i crank\i0 , a 'neveldine-taylor look.' "\par
shooting the film digitally, however, meant that the filmmakers were forced to deal with some inevitable disadvantages, or as producer wright recalls, "we were on twelve different learning curves at once on this production, which made for a somewhat frightening experience at times." the sony 950s, the cameras preferred on set, had a cable attaching the camera to a deck, which meant that it wasn't initially mobile enough to travel with camera operator neveldine during shots, especially the more fast-paced action sequences. the solution to the problem came in creating what's been termed the 'nanocam,' a backpack that enabled neveldine to hold a disassembled piece of the camera, the lens and an image plate in his hand, while the rest of the camera, deck and battery belt stayed firmly strapped to him from behind. \par
richard wright says, "the main advantage is that you actually have, in effect, your laboratory on the set. our digital image technician nick theodorakis is able to adjust the aperture - the brightness, colour, crispness - fifteen different axes of adjustment to the image on the fly. so you can start indoors in one light level, walk outdoors into completely different light and adjust it as you go. it makes lighting much faster and makes shots that otherwise would have been impossible or at least very difficult, very possible. it also gives us the ability to see instantly that we've gotten a shot."\par
theodorakis notes that using hd, in addition to efficiency, also adds a more intense look - one that \i crank\i0 is using to groundbreaking effect. "usually, in traditional filmmaking, you use the shutter to enhance an action scene," he explains, "and it really has only been used for that [action scenes] up until this point. in \i saving private ryan\i0 , they're on the beach, everything is melee and there's gunfire all around, the shutter is amped up. otherwise they revert back to your standard hundred and eighty degree shutter look, which is what we're all used to - smooth and very normal."\par
"on this one, the idea was sort of fitting in the name of \i crank\i0 ," he continues. "we crank it up right away - our baseline shutter angle is what most people use for a standard action sequence, which was another argument we had in the very beginning - you know, can we do this? can we start with an incredibly high energy feeling and keep that throughout the movie? we tested it and loved the results we got. even on dialogue scenes, we still closed down the shutter angle so you get a bit more of a frenetic feeling. and that's so cool because even when it slows down, you can really feel chev's dilemma - he's got to keep ramping it up or else he dies. it fit for this particular movie."\par
taylor states, "i think when people see this movie they're going to see a movie that looks different from any other film they ever saw. and that was our goal." he adds, "if we're going to embrace this new technology and go through all the learning curves of working with it, let's get something out of it and try to break new ground."\par
another notable leap for the filmmakers of \i crank\i0 was letting their star do most of his own stunts, even in the biggest and most dangerous sequences, particularly the climax, where chev finds himself fighting verona while hanging out of a helicopter over the streets of downtown los angeles. \par
"jason always wanted to go up in the helicopter," recalls taylor. "we weren't sure if legally we were allowed to do it. but we had the best stunt guy on the planet, darren prescott, on board. he bought all the right tools and made it happen."\par
"as a stunt co-ordinator i try to put the actors in the action as much as possible because i think the public wants to see that character do the stunts," says prescott. "so you get someone like jason who's willing to do it, and it's a gold mine." prescott cabled jose and jason into the helicopter. but due to the amount of movement in their fight, jason had to be hooked to two different wires with some slack. when chev ultimately lets go of the helicopter and falls, prescott used a descender rig to simulate the fall. "jason had to put so much trust in this rig, because he goes all the way back and it means letting go of the helicopter. it was a huge thing for him to do. and he nailed it every time. it was awesome."\par
"yeah, that was a big stunt," remembers statham, "i mean, how do you prepare for hanging three thousand feet out of the side of a helicopter? you don't. i've never done it before. you just get strapped in and away you go, which is pretty gung ho. but i like to do all my own stuff and i feel pretty confident doing so. otherwise i wouldn't put my silly self in that position."\par
taylor adds that there was nothing silly about the way jason prepped for the helicopter sequence, however. "usually actors would either refuse to do it, and stay in their trailer and let the stunt man do it. or they're just complete knuckleheads and are like, 'yeah, whatever' and don't know what they're really getting into. but jason was very intelligent in his approach to all of these sequences. he would want to know exactly what was going to happen, how it was going to happen and what were the safety procedures. and we realized that the reason that he does that is he wants to have a complete three-hundred and-sixty degree view of what's going to happen so that when he's up there, he can commit absolutely one-hundred percent physically with no hesitation and fear."\par
statham notes, "there's a great reward in achieving something like that, doing it yourself. there's no substitute for that. on the screen they're going to see that it's me having a choreographed fight routine three-thousand feet above downtown la. there's no way you can green screen it, because the wind and the noise and the certain fear that's within me, well, you can tell it's the real thing. your eyes get all glazed from the adrenalin in your veins. it's pretty fucking scary. but you overcome that. it's scary, exciting, and dangerous all at the same time. it's really cool. what a rush."\par
dangling their lead actor over the skyscrapers of los angeles was only one of the many ways that the filmmakers were able to use real locations to create the underground world of the city depicted on screen. "one of the ideas of the movie is that it's a quintessentially la movie. la's a character in the movie. that's why we had to shoot in la," explains taylor.\par
smart agrees with her director, adding that "i think this script has a very la flavour, where it's dirty and raw and gritty, and you just couldn't double it in vancouver or anywhere else, for that matter. and whether you're in silverlake or downtown la or chinatown, it just has a very specific feel."\par
filming chev running in a hospital gown through the streets of westwood, a sex scene between chev and amy in chinatown, and a car chase in a real la shopping mall came at a bit of a price, however: "part of the problem was always that with this kind of a film that takes this many risks, you can't spend too much money on it. and on any film you're always looking for ways to make the numbers work. we looked at other places to shoot this film. we looked at vancouver, montreal, new mexico. and each time, the directors were very polite, but also adamant about, 'look, we've got to figure out how to do this in la'\par
still, they were concessions that wright believes were for the best: "it was so important to them [the filmmakers] to get that sort of la thing - this wacky city with all these weird corners and funky architecture and constant sun. that was a really big deal for them to keep that and so we made a lot of sacrifices to do that. but it paid off and we've actually been able to make good on our bet."\par
neveldine and taylor are confident that audiences will feel they've made good on their bet as well - and will be in for quite a ride. "we want people who watch \i crank\i0 to just hop on and have fun, and go along for the journey," says taylor. "it should feel like the bullet of a gun - it just takes off and you fly with it, have fun and enjoy the experience. it's a video game come to life."\par
\pard\keepn\s1\fi720\sb360\sa120\qj\kerning32\b\fs28 about the cast\par
\pard\keepn\nowidctlpar\hyphpar0\s2\fi720\sb360\sa240\qj\expndtw-3\kerning0\ul\b0\fs24 jason statham (chev chelios)\par
\pard\fi720\sa120\qj\expndtw0\ulnone born in sydenham, england, jason statham was one of the best divers on the british team. he placed third in the olympic trials on three different occasions, eventually placing 12th in the world. while training at the famed crystal palace national sport center in london, film crews and photographers pursued him as new talent for commercials and print campaigns. one of those jobs was a french connection print ad where he met the owner of the company, who was also executive producer of a film in preparation, lock stock and two smoking barrels. jason had a meeting with the director, guy ritchie, who gave him a role.\par
shortly after statham's film debut, ritchie cast him again in the gangster film snatch\i \i0 as a boxing promoter starting opposite brad pitt and benicio del toro, and most recently in his new film revolver.\par
jason statham has been brought to the forefront of the younger generation of action heroes with the transporter, written especially for him by luc besson and brought to life by louis leterrier.\par
other credits include chaos (tony giglio) with ryan phillippe and wesley snipes, london\i \i0 (hunter richards) with jessica biel and chris evans and the hit sequel transporter 2 (louis leterrier). statham also recently appeared in the hit remake the pink panther opposite steve martin and beyonc\'e9 knowles. most recently, he wrapped production on lionsgate's rogue.\par
\pard\keepn\nowidctlpar\hyphpar0\s2\fi720\sb360\sa240\qj\expndtw-3\ul amy smart (eve)\par
\pard\fi720\sa120\qj\expndtw0\ulnone amy smart has emerged as one of hollywood's brightest talents on both the silver screen and on television. \par
smart is gearing up for production in the new john wells' series, "\i smith"\i0 on cbs. smart plays a criminal who happens to be a showgirl, and stars opposite ray liotta, simon baker and virginia madsen. \par
most recently, smart was seen opposite nick nolte in the independent film, peaceful warrior, directed by victor salva. the film is an on-screen adaptation of dan millman's best selling autobiography. \par
smart was recently seen in new line cinema's romantic comedy, just friends, opposite ryan reynolds for director roger kumble. smart's additional film credits include, the butterfly effect, blind horizon, starsky & hutch, project greenlight's battle of shaker heights, rat race, roadtrip, scotland, pa, outside providence, varsity blues, starf*cker, starship troopers, and the last time i committed suicide.\par
in addition, smart heated up the small screen as "noel's"\i \i0 love interest on the wb's "\i felicity" \i0 and was also seen in the nbc miniseries "\i the 70's." \par
\i0 amy also participates in various non-profit organizations such as, heal the bay and the environmental media association. \par
she currently resides in los angeles.\par
\pard\keepn\nowidctlpar\hyphpar0\s2\fi720\sb360\sa240\qj\expndtw-3\ul jose pablo cantillo (verona)\par
\pard\fi720\sa120\qj\expndtw0\ulnone an actor with a wide array of television and feature film credits, jose pablo cantillo made his feature film debut in academy award winner jonathan demme's the manchurian candidate opposite a cast that included denzel washington and meryl streep. he was most recently seen starring in the independent feature shackles opposite d.l. hughley. future projects include eric amadio's after sex also starring taryn manning, zoe saldana and jane seymour; eric allen's bondage also starring michael angarano, illeana douglas and griffin dunne and dreamworks' disturbia in which he co-stars opposite shia lebeouf.\par
cantillo recently guest-starred memorably in the golden globe-winning drama series \i "nip/tuck"\i0 and also on the fox series \i "bones."\i0 his additional television credits include appearances on some of the small screen's biggest shows, including \i "crossing jordan,"\i0 \i "csi: miami," "er,"\i0 and \i "law & order: criminal intent."\par
\pard\keepn\nowidctlpar\hyphpar0\s2\fi720\sb360\sa240\qj\expndtw-3\ul\i0 efren ramirez (kaylo)\par
\pard\fi720\sa120\qj\expndtw0\ulnone since his breakthrough performance as "pedro" in napoleon dynamite, efren ramirez has established himself within the film and television industry, working non-stop in numerous projects being released over the coming months.\par
ramirez has been acting for over ten years, playing many diverse roles in television shows including \i "er", "judging amy," "the district," and "boston public."\i0 however, it was his iconic portrayal of "pedro" that has made him an international superstar. pictures of ramirez in character can be found on t-shirts being worn by people of all ages everywhere around the world. simply by appearing at events on college campuses ensures that thousands of students will converge for a glimpse of their hero.\par
moving on from "pedro" has been effortless for this gifted young actor. he is currently appearing on hbo with edward james olmos in \i "walk out"\i0 opposite michael pena, and alexa vega. in this gripping drama, ramirez plays "bobby verdugo," a chicano student from east la who struggles for better education in public schools throughout the chicano movement in 1968.\par
next up he will be seen in mtv film's all you got. starring faizon love, and ciara harris, which is to be released in may. this romantic comedy is about the rivalry of high school volleyball teams.\par
alongside crank this september, efren will also be seen in employee of the month. here ramirez appears opposite jessica simpson and dane cook in a hilarious comedy.\par
efren ramirez currently resides in los angeles. when he isn't filming, he spends his time practicing his love of spinning records, appearing as a guest dj in clubs all across the country.\par
\pard\keepn\nowidctlpar\hyphpar0\s2\fi720\sb360\sa240\qj\expndtw-3\ul dwight yoakam (doc miles)\par
\pard\fi720\sa120\qj\expndtw0\ulnone a kentucky native who was raised in ohio, dwight yoakam blazed out of the los angeles club scene in 1986 with his debut guitars, cadillacs, etc, etc, which went on to score double-platinum status. this was followed by numerous multi-million selling albums throughout the 1980's and 1990's. dwight yoakam kicked off the new millennium in noteworthy style: he was named by online retailer amazon.com the "country artist of the year" in 2000, while two new yoakam releases, tomorrow's sounds today (at #2) and dwightyoakamacoustic.net (at #9), appeared on cd now's "10 essential country records of 2000."\par
the two-time grammy winner has garnered 21 nominations in the course of his career, while selling more than 23 million albums worldwide and earning praise from the likes of time magazine, hailing him as "a renaissance man," rolling stone, noting "he has no contemporary peer," and vanity fair, claiming "yoakam strides the divide between rock's lust and country's lament."\par
yoakam's acting career has also garnered much acclaim, particularly for his role as "doyle hargraves" in the 1996 oscar-winning sling blade, for which he was honoured with the premiere performance award recognizing outstanding breakthrough performances in film. following that, dwight made his directorial debut (starring in a screenplay he also co-authored) with the 2001 release of south of heaven, west of hell, a gothic western with an impressive ensemble cast that included billy bob thornton, vince vaughn, bridget fonda, peter fonda, paul reubens, bud cort and michael jeter. other film credits include a scene-stealing 1994 debut in john dahl's red rock west (with nicolas cage and dennis hopper), the newton boys in 1998 (with matthew mcconaughey, julianna margulies and vincent d'onofrio,) the minus man in 1999 (with owen wilson and janeane garofalo,) the 2002 blockbuster suspense film panic room (with jodie foster and forest whitaker) and the 2003 action-comedy hollywood homicide (with harrison ford and josh hartnett.)\par
in november 2002, rhino records' commemorated yoakam's groundbreaking career with the release of the definitive four-disc box set reprise please baby: the warner bros years. to further solidify yoakam's musical legacy, he was honoured with his own star on the hollywood walk of fame in ceremonies held 5 june 2003.\par
dwight's studio album titled population: me (2003) featured the #1 cmt video hit "the back of your hand," and has been followed by a critically-acclaimed compilation of previously released material, dwight's used records (2004,) as well as a remastered retrospective package titled the very best of dwight yoakam (2004). most recently, dwight starred as "sheriff belmont" in tommy lee jones's the three burials of melquiades estrada, which received awards at the cannes film festival for best actor for tommy lee jones and best screenplay for guillermo arriaga. then, dwight starred with salma hayek and penelope cruz as "jackson" in the luc besson written and produced feature film, bandidas. at the completion of the film roles, he concluded recording his new album for new west records/via records, blame the vain, released in june of 2005. this album was a career first for yoakam in that the songwriter and guitarist solely produced the album. this attempt boasts 12 tracks of romantic cravings and deeply felt heartaches and continues to receive critical praise.\par
\pard\keepn\nowidctlpar\hyphpar0\s2\fi720\sb360\sa240\qj\expndtw-3\ul carlos sanz (carlito)\par
\pard\fi720\sa120\qj\expndtw0\ulnone carlos sanz has worked with such notable film directors as ron howard, andrew davis and alan rudolf. he is set to appear as a veteran la detective in the take along with john leguizamo, tyrese gibson and rosie perez, to be shot in los angeles. carlos can be seen taking a comedic bent like his brother horatio sanz in the soon to be released comedy dishdogz were he does an homage to harold ramis.\par
his numerous television projects include: "\i the shield"\i0 playing "det. carlos zamora" who goes head to head with "vic mackey" played by michael chiklis, "\i criminal minds," "24," "close to home," "las vegas\i0 ," and as recurring undercover cop "detective ray olivo" on "\i nypd blue\i0 ."\par
he did a stint of two seasons on the nbc daytime drama "\i another world"\i0 where he played the handsome, womanising, mysterious and slightly dangerous "dr victor rodriguez."\par
an accomplished theatre artist he has worked around the world including the arena stage, washington dc, in the two person play about georgia o'keefe and her much younger companion; goodman theatre working with fantastic director joanne akalitis and the always cool don cheadle; south coast rep with pulitzer prize-winning playwright nelo cruz; royal shakespeare company in london, thalia theatre in hamburg and bobigny mc93 in paris with peters sellers directing the merchant of venice alongside philip seymour hoffman and john ortiz; the rubicon theatre co as "starbuck" in the rainmaker opposite stephanie zimbalist, a portrayal in which the la time said "sanz delves beneath the charlatan ... beautifully played connection aches with a partiality that brings the fairy tale gracefully back to earth."; san diego rep, intar nyc, lincoln center salon, the organic theatre co. in chicago as a company member and latino chicago theatre company where he was an artistic associate. \par
he is also a writer, director, an accomplished photographer and a graduate of the university of illinois at chicago, where he studied mathematics and philosophy.\par
\pard\keepn\nowidctlpar\hyphpar0\s2\fi720\sb360\sa240\qj\expndtw-3\ul glenn howerton (doctor ankleson)\par
\pard\fi720\sa120\qj\expndtw0\ulnone film, television and stage actor glenn howerton has already amassed an impressive list of credits in his rapidly ascending career. a graduate of julliard, howerton began his career on stage having appeared in over 17 productions thus far.\par
currently, howerton can be seen starring as 'dennis,' a childhood friend of 'mac' and 'charlie' on the fx comedy series, "it's always sunny in philadelphia." howerton, together with his co-stars rob mcelhenney and charlie day, also serves as a writer, co-creator and executive producer of the show, which premiered in august 2005 to solid ratings and positive reviews. fx is launching the second season of "it's always sunny in philadelphia" in june and danny devito has joined the cast, appearing in all 10 episodes of the upcoming season. \par
on the big screen, howerton had supporting roles in "\i must love dogs\i0 ,"\i \i0 which starred john cusack and diane lane, "\i serenity"\i0 for director joss whedon and "\i two weeks"\i0 with sally field and ben chaplin. \par
howerton's television credits include "\i that '80s show\i0 ," a recurring role on "\i er"\i0 and tnt's movie "\i monday night mayhem\i0 ."\par
howerton was born in japan and raised in montgomery, alabama. he now resides in los angeles.\par
\pard\keepn\nowidctlpar\hyphpar0\s2\fi720\sb360\sa240\qj\expndtw-3\ul keone young (don kim)\par
\pard\fi720\sa120\qj\expndtw0\ulnone keone young is a familiar face from a number of feature films, television shows and theatrical productions. his film credits include \i dude, where's my car?\i0 , \i dr dolittle 2, playing god, jack, striptease, the brady bunch movie, north, my girl 2, golden gate, surf ninjas, honeymoon in vegas, black rain, lost angels, fear, private benjamin, alien nation, eyewitness, frances, the wild life, beverly hills body snatchers,\i0 and \i baby blue marine. \i0 young has had recurring roles on the hbo emmy-winning series "deadwood," as well as "generations," "general hospital" and "marker." his numerous television series appearances include "house," "nypd blue," "crossing jordan," "nash bridges," "mad about you," "cheers," st. elsewhere," "civil wars," "the simpsons," "star trek: deep space nine," "caroline in the city," "taxi" and "the golden girls." young has also appeared in theatrical productions for the east west players, bay area theatre, manhattan theatre club and mark taper forum.\par
\pard\keepn\nowidctlpar\hyphpar0\s2\fi720\sb360\sa240\qj\expndtw-3\ul valerie raw miller (chocolate)\par
\pard\fi720\sa120\qj\expndtw0\ulnone an accomplished scene-stealing actress, miller has appeared opposite harrison ford and josh hartnett in ron shelton's \i hollywood homicide\i0 as well as in a lead role in \i all about the benjamins\i0 , starring ice cube. miller has also been seen on the small screen as a series regular on the james cameron-produced series "dark angel" starring jessica alba and the drama series "hollywood confidential" starring edward james olmos. the actress has also had recurring roles on the upn sitcoms "in the house" and "malcolm and eddie" starring malcolm jamal warner.\par
\pard\keepn\s1\fi720\sb360\sa120\qj\kerning32\b\fs28 about the filmmakers\par
\pard\keepn\nowidctlpar\hyphpar0\s2\fi720\sb360\sa240\qj\expndtw-3\kerning0\ul\b0\fs24 mark neveldine & brian taylor (writer/directors)\par
\pard\fi720\sa120\qj\expndtw0\ulnone mark neveldine was born in watertown, ny, and was a drama/psychology major, lettered athlete, and a dean's list student at hobart college. he began his career as an award-winning actor and off-broadway director in over 25 plays in new york city, then moved behind the camera as director of photography on documentaries, music videos, and a television pilot. his narrative dp work includes \i this beautiful life \i0 starring ned beatty.\i\par
\i0 brian taylor was born in pasadena, ca and has served as director of photography on a variety of award winning shorts and independent features. his work as director and cinematographer on \i the man who loved elevators \i0 (a 24p short based on the work of charles bukowski) established brian as an hd pioneer and highlighted cinequest's 2002 \i digitalxdigital \i0 showcase.\par
neveldine and taylor joined forces to create nev.taylor on \i the keys \i0 (a surreal action/adventure) filmed in morocco - inventing one of their many camera techniques, "roller-dolly" (us patent pending). the early part of 2002 for the team was spent in the dominican republic, completing work on a documentary about the fuentes cigar family. \par
upon returning to the united states, the directing team was promptly snatched up by @radical.media for commercials and music videos. through @radical.media they've directed award-winning commercials for nike, motorola, bud light, powerade, kfc, michelob and honda.\i \par
\i0 nev.taylor has worked a slew of additional film and tv projects in addition to crank\i \i0 (which marks their feature writing and directing debut). the team has a writing deal at mandalay pictures, a screenwriting gig with 20\super th \nosupersub century fox, as well as "brand x"\i \i0 (an fx pilot created, and executive-produced by nev.taylor), and "cyco"\i \i0 (a scripted action series in development with spelling tv, created by nev.taylor). the duo has written four additional feature film scripts and is represented by the william morris agency and legal representatives nelson/felker.\par
\pard\keepn\nowidctlpar\hyphpar0\s2\fi720\sb360\sa240\qj\expndtw-3\ul tom rosenberg (producer)\par
\pard\fi720\sa120\qj\expndtw0\ulnone tom rosenberg is the founder and chairman of lakeshore entertainment. rosenberg produced \i million dollar baby\i0 , and won the academy award for best picture at the 2005 academy awards. directed by and starring clint eastwood along with hilary swank and morgan freeman, the film won oscars for eastwood (director) swank (lead actress) and freeman (supporting actor). he recently produced \i underworld: evolution, \i0 starring kate beckinsale and scott speedman, directed by len wiseman, and \i the exorcism of emily rose, \i0 starring laura linney, both of which opened to number one at the box office. rosenberg currently has three films in post-production: \i the last kiss\i0 , starring zach braff and jacinda barrett, directed by tony goldwyn; \i blood and chocolate, \i0 starring olivier martinez and agnes bruckner; and \i the\i0 \i covenant, \i0 directed by renny harlin.\i\par
\i0 among the other feature film projects produced by lakeshore are \i wicker park\i0 ; starring josh hartnett; \i underworld\i0 ; \i the human stain\i0 ; starring anthony hopkins and nicole kidman, directed by robert benton; \i the gift\i0 , starring cate blanchett and keanu reeves, directed by sam raimi; \i autumn in new york\i0 , starring richard gere and winona ryder, directed by joan chen; \i passion of mind\i0 , starring demi moore, stellan skarsg\'e5rd and william fichtner; \i the mothman prophesies\i0 , starring richard gere; \i runaway bride\i0 , starring julia roberts and richard gere, directed by garry marshall; \i arlington road\i0 , with jeff bridges, tim robbins and joan cusack; and \i 200 cigarettes\i0 , starring ben affleck, courtney love and christina ricci. \par
rosenberg's other feature films for lakeshore include \i kids in the hall\i0 : \i brain candy\i0 , \i til there was you,\i0 \i box of moonlight\i0 , \i the real blonde\i0 and \i going all the way\i0 .\par
rosenberg began his film career as co-founder of beacon communications under whose banner he was the executive producer such films as \i the commitments\i0 , \i sugar hill\i0 , \i a midnight clear,\i0 \i princess caraboo\i0 , \i the road to wellville\i0 , and \i the hurricane\i0 .\par
\pard\keepn\nowidctlpar\hyphpar0\s2\fi720\sb360\sa240\qj\expndtw-3\ul gary lucchesi (producer)\par
\pard\fi720\sa120\qj\expndtw0\ulnone gary lucchesi is producer/president of lakeshore entertainment, an independent film company in los angeles. mr lucchesi executive produced the academy award winning \i million dollar baby\i0 , directed by and starring academy award winner clint eastwood, academy award winner hilary swank and academy award winner morgan freeman. he is currently in post production on \i the last kiss\i0 starring zach braff for dreamworks; \i the covenant\i0 , directed by renny harlin for screen gems; and \i blood and chocolate\i0 starring agnes bruckner for mgm. earlier this year, he executive produced \i she's the man\i0 starring amanda bynes for dreamworks. in 2005, mr lucchesi also produced \i underworld 2\i0 starring kate beckinsale for screen gems, \i exorcism of emily rose\i0 starring laura linney and tom wilkinson for screen gems and \i aeon flux\i0 starring charlize theron for paramount. in 2004, mr lucchesi produced \i wicker park\i0 , directed by paul mcguigan starring josh hartnett for mgm. in 2003, mr lucchesi produced \i underworld\i0 , directed by len wiseman starring kate beckinsale and scott speedman, and \i the human stain\i0 , based on the philip roth novel, directed by academy award winner robert benton and starring anthony hopkins and nicole kidman. \par
mr lucchesi's released credits with lakeshore entertainment include \i the mothman prophecies\i0 , starring richard gere and laura linney, directed by mark pellington; \i autumn in new york\i0 starring richard gere and winona ryder, directed by joan chen; and sam raimi's film, \i the gift\i0 , which starred cate blanchett, katie holmes, greg kinnear, hilary swank and giovanni ribisi. mr lucchesi was the executive producer on the box-office hit \i runaway bride\i0 , starring julia roberts and richard gere, directed by garry marshall; as well as \i the next best thing\i0 , a madonna/rupert everett film directed by john schlesinger, and \i passion of mind\i0 , a demi moore feature, directed by alain berliner.\par
gary lucchesi previously served as president of gary lucchesi productions, an independent production company where he produced the oscar nominated film \i primal fear\i0 , as well as \i virtuosity, jennifer eight, three wishes\i0 and \i just the ticket\i0 . he also produced the emmy-nominated \i gotti\i0 , as well as \i breastman\i0 and \i vendetta\i0 , all for hbo. in addition, mr lucchesi produced the emmy-winning showtime movie, \i wild iris\i0 . \par
while serving as president to andrew lloyd-webber's "the really useful film company," mr lucchesi executive produced the film version of the musical \i cats\i0 , as well as original feature films, and direct-to-video releases of theatrical hits. \par
prior to becoming an independent producer, mr lucchesi was president of production at paramount and oversaw production of a large number of highly successful films, including \i ghost, indiana jones and the last crusade, fatal attraction, the hunt for red october, coming to america, the naked gun \i0 and \i the untouchables\i0 , with a cumulative box office gross exceeding 2 billion dollars. other films which mr lucchesi oversaw include: godfather iii\i , days of thunder, another 48 hrs., naked gun: the smell of fear, pet sematary, scrooged, major league, star trek v \i0 and \i vi, \i0 and \i black rain\i0 . \i fatal attraction\i0 (1988), \i godfather iii\i0 (1990) and \i ghost \i0 (1990) were nominated for academy awards for best picture. \i ghost\i0 was awarded an academy award for best screenplay.\par
prior to his tenure at paramount, mr lucchesi worked at tri-star pictures for four years as both vice-president and senior vice president of production. lucchesi began his career in los angeles as an agent for the william morris agency where he represented such stars as kevin costner, michelle pfeiffer, susan sarandon and john malkovich.\par
\pard\keepn\nowidctlpar\hyphpar0\s2\fi720\sb360\sa240\qj\expndtw-3\ul richard wright (producer)\par
\pard\fi720\sa120\qj\expndtw0\ulnone richard wright currently serves as executive vice president and head of production at lakeshore entertainment, an independent film company in los angeles, whose recent credits include the academy award-winning clint eastwood film \i million dollar baby\i0 , the box-office hit \i the exorcism of emily rose\i0 , paul mcguigan's \i wicker park\i0 , and robert benton's \i the human stain, \i0 as well as the upcoming zach braff-starring \i the last kiss\i0 for dreamworks.\i \i0 wright has produced a number of lakeshore productions in addition to crank including \i blood & chocolate\i0 with agnes bruckner and olivier martinez for sony; the sony/screen gems hits \i underworld\i0 and \i underworld: evolution\i0 ; and \i cave\i0 , with cole hauser and piper perabo, also for sony/screen gems.\par
in addition, wright executive produced the richard gere-laura linney thriller \i the mothman prophecies \i0 and served as co-producer on sam raimi's \i the gift\i0 starring cate blanchett, keanu reeves and hilary swank; the madonna/rupert everett drama \i the next best thing\i0 for academy award-winner john schlesinger; the box office success \i runaway bride\i0 starring julia roberts and richard gere; mark pellington's \i arlington road\i0 starring jeff bridges and tim robbins; \i polish wedding\i0 with claire danes and lena olin; and the romantic comedy \i 'til there was you\i0 starring jeanne tripplehorn, dylan mcdermott and jennifer aniston.\par
\pard\keepn\nowidctlpar\hyphpar0\s2\fi720\sb360\sa240\qj\expndtw-3\ul skip williamson (producer)\par
\pard\fi720\sa120\qj\expndtw0\ulnone skip williamson started will records in his garage in 1994. three years later he partnered with lakeshore entertainment to form lakeshore records. over the years he has released many records including the first two albums by indie rock darlings granddaddy, drum and bass legend ak 1200, and has executive produced numerous soundtracks including \i buffalo '66\i0 , \i underworld\i0 , \i mr and mrs smith\i0 and \i napoleon dynamite\i0 , for which he received a 2006 grammy nomination. \par
along with heading lakeshore records, skip now produces films for lakeshore entertainment. it was williamson who brought not only crank, but also the \i underworld\i0 franchise to lakeshore entertainment. next on tap for williamson is another first-time writer/director project helmed by the founder of the skateboarding juggernaut zoo york, eli gestner, who will be directing excite loves vita, based on his own script. the new york street love story stars rosario dawson and mos def.\par
\pard\keepn\nowidctlpar\hyphpar0\s2\fi720\sb360\sa240\qj\expndtw-3\ul david scott rubin (executive producer)\par
\pard\fi720\sa120\qj\expndtw0\ulnone david scott rubin most recently served as co producer on the independent film \i believe in me\i0 starring jeffrey donovan and samantha mathis. previously he produced the mgm comedy \i soul plane\i0 starring snoop dogg and method man and was executive producer on the independent film \i 11:14\i0 which stars hilary swank, colin hanks and rachel leigh cook. he also executive produced the heartfelt hit \i i am sam\i0 , which also resulted in an oscar nomination for sean penn and launched the career of dakota fanning.\par
previously rubin served as co-producer on screenwriter daniel waters' directorial debut \i happy campers\i0 for di novi pictures and new line cinema. he also produced writer/director jason freeland's adaptation of james elroy's \i brown's requiem\i0 for lions- gate, as well as the 1997 toronto film festival standout gordon boos's \i touch me\i0 and john reiss's \i cleopatra's second husband\i0 , which premiered at the 1998 los angeles independent film festival. \par
rubin attended the tisch school of the arts at new york university where he earned a bfa in motion picture and television production.\par
\pard\keepn\nowidctlpar\hyphpar0\s2\fi720\sb360\sa240\qj\expndtw-3\ul adam biddle (director of photography)\par
\pard\fi720\sa120\qj\expndtw0\ulnone adam biddle was born in london in 1967. following the footsteps of his elder brother adrian, he started work in the film industry in 1983 working for ridley scott's production company rsa films, initially as a 'tea boy' then film loader. in 1987, he left to become a freelance camera assistant and over the course of the next twelve years. compiled an impressive resume as a 1st and 2nd ac with fourteen full 'a' camera feature credits and over 1000 commercials.\par
in 1999 adam moved up to dp. he began by shooting short films, and commercials once again soon followed and in 2000 adam moved full time to the united states. in 2001 he joined the mack agency who have represented him to date. in 2003 he got a break to shoot his first solo feature, \i they would love you in france\i0 in los angeles. soon after, he received 2nd unit credits on \i bridget jones - the edge of reason\i0 and \i an american haunting\i0 . adam has never been afraid to travel and has shot many humanitarian projects around the world including a documentary that spanned asia.\par
since 2005 adam has become an american citizen and together with his wife megan, now lives in hollywood, california.\par
\pard\keepn\nowidctlpar\hyphpar0\s2\fi720\sb360\sa240\qj\expndtw-3\ul matt kutcher (special effects supervisor)\par
\pard\fi720\sa120\qj\expndtw0\ulnone matt kutcher has quickly gone from being one the hottest special effects supervisors in the industry to co-producer and director. for a long time now, his talents have extended far beyond pyrotechnics, crashes, rigging and squib hits. his credits cover the gambit of commercials, music videos, documentaries, episodic television, reality tv, cable (hbo, disney channel, discovery, etc.), independent features and large studio films. \par
kutcher rapidly went from being a co-ordinator for other top effects supervisors, to supervising his own crew (one show at a time), to now supervising multiple effects crews at once, all under his spectrum effects banner. he reviews all scripts, strategies with respective producers and directors, then oversees the fabrication and execution of each effect. \par
in addition to designing stunts and effects, matt is adept at designing entire action sequences and has the ear and confidence of the directors and stunt co-ordinators he works with. a member of the dga, he is also a second unit director in addition to being an underwater specialist. there is an ever-growing list of well-established producers and directors who will not do a picture without matt on-board, as his instincts and advice on stunts, effects, construction, locations, equipment, underwater work and budgetary matters have proved invaluable as well fiscally responsible. \par
matt's work on "reality tv" started when he was asked to consult on various shows, including rivals and the chamber. this led him to the entire first season of nbc's "dog eat dog" (2002/i) . he not only conceived of and designed all the game play, but each stunt was fabricated by his spectrum effects crew, as was the 40x70 indoor tank built on la center studio's stage 1. he oversaw all effects, stunts and rigging and also designed an apparatus that allowed a cameraman to capture a helicopter-type aerial shot on an interior stage.\par
his grasp of what's needed to successfully produce compelling reality television quickly led to additional offers and to his involvement with shows such as: culture shock, the next action hero and winner take all. matt co-created and co-executive produced winner take all, a pilot for abc, which is being classified as a reality stunt show. he is currently fielding offers to co-produce a new series, to direct second unit on various films and tv pilots and to direct an independent feature. he is also developing more of his own projects. \par
\pard\keepn\s1\fi720\sb360\sa120\qj\kerning32\b\fs28 cast and crew\par
\pard\keepn\fi720\sb240\sa120\qj\kerning0\ul\b0\fs20 cast\par
\pard\fi720\sa120\qj\tx5103\ulnone chev\tab jason statham\par
eve\tab amy smart\par
verona\tab jose pablo cantillo\par
kaylo\tab efren ramirez\par
doc miles\tab dwight yoakam\par
carlito\tab carlos sanz\par
orlando\tab reno wilson\par
haitian cabbie\tab edi gathegi\par
hospital doctor\tab glenn howerton\par
alex\tab jay xcala\par
don kim\tab keone young\par
chocolate\tab valarie rae miller\par
arab cabbie\tab yousuf azami\par
man in garage\tab laurent schwar\par
sin city brother\tab david brown\par
convenience store clerk\tab dorian kingi\par
verona crew #1\tab med abrous\par
verona crew #2\tab daniel stevens\par
verona crew #3\tab wally lozano\par
hightower\tab david t green\par
restaurant waitress\tab eve loseth\par
pharmacy man\tab allen bloomfield\par
pharmacist\tab stephanie mace\par
pharmacy stoner\tab chester bennington\par
hospital cop\tab michael mclafferty\par
stretcher patient\tab earl carroll\par
hospital tech #1\tab brian swibel\par
hospital tech #2\tab donnie smith\par
motorcycle cop\tab sean graham\par
tv store guy\tab dan callahan\par
warehouse rooftop hood\tab noel guglielmi\par
warehouse window hood\tab daniel venegas\par
warehouse hood leader\tab francis capra\par
warehouse hood #1\tab frank blake\par
warehouse hood #2\tab michael j gonzalez\par
hood #3\tab ken moreno\par
hood #4\tab troy robinson\par
hood #5\tab eddie perez\par
hood #6\tab justin riemer\par
shirt factory supervisor\tab peter choi\par
bus girl\tab elizabeth jayne hong\par
japanese businessman\tab toshi toda\par
shootout henchman #1\tab sam witwer\par
shootout henchman #2\tab jai stefan\par
cocoon girl\tab jaclyn chan\par
helicopter pilot\tab rick shuster\par
tv reporter\tab ted garcia\par
stunt co-ordinator\tab darrin prescott\par
stunt players\tab kenny alexander\par
\tab hank amos\par
\tab millie ball\par
\tab lena baran\par
\tab melissa barker\par
\tab jeff barnett\par
\tab randy beckman\par
\tab chino binamo\par
\tab dan bradley \par
\tab mike van breezen\par
\tab bob brown\par
\tab david brown\par
\tab troy brown\par
\tab sandra brumen \par
\tab steve chang\par
\tab fernando chien\par
\tab ilram choi\par
\tab victor choi\par
\tab clay cullen\par
\tab jeff dashnaw\par
\tab jj dashnaw\par
\tab tracy keehn dashnaw\par
\tab tim davison\par
\tab annie ellis\par
\tab jon epstein\par
\tab debbie evans\par
\tab eddie fernandez\par
\tab eddie fiola\par
\tab scott fisher\par
\tab jeremy fitzgerald\par
\tab ryan fitzgerald \par
\tab ted garcia\par
\tab meegan goddfrey\par
\tab laura grady\par
\tab sean graham \par
\tab david t green\par
\tab noel guglielmi\par
\tab bonnie lee happy\par
\tab jimmy hart\par
\tab john hateley \par
\tab alisa hensley\par
\tab freddie hice\par
\tab jeff imada\par
\tab cathy jarvis\par
\tab julie ann johnson\par
\tab mike justus\par
\tab bret kiene\par
\tab dave kilde \par
\tab dorian kingi\par
\tab dayan kodua\par
\tab tony lazzara\par
\tab lane leavitt\par
\tab wally lozano\par
\tab billy lucas\par
\tab dina margolin\par
\tab b dailyn matthews\par
\tab john moio\par
\tab anthony molinari \par
\tab ken moreno\par
\tab mike nicely\par
\tab joe ordaz \par
\tab chris palermo\par
\tab mark panasuk\par
\tab eddie perez\par
\tab rex reddick\par
\tab suzanne reed\par
\tab tanoai reed \par
\tab justin riemer\par
\tab troy robinson\par
\tab scott rogers\par
\tab gilbert rosales \par
\tab tracy ruggiero\par
\tab mike runyard\par
\tab felipe savahge\par
\tab kevin scott\par
\tab rick shuster\par
\tab craig silva\par
\tab jai stefan\par
\tab daniel stevens\par
\tab nicole surels\par
\tab brian takahashi\par
\tab steve terada\par
\tab tim trella\par
\tab chris tuck\par
\tab garrett warren\par
\tab sam witwer\par
\tab scott workman\par
\tab dan wynands\par
\tab boni yanagisawa\par
art director\tab chris cornwell\par
set designer\tab barbara mesney\par
set decorator\tab betty berberian\par
art department co-ordinator\tab wendy stanton\par
art department production assistant\tab shad thompson\par
script supervisor\tab scott peterson\par
"a" camera operators\tab mark neveldine\par
\tab brian taylor\par
first assistant photographer "a" camera\tab gavin alcott\par
second assistant photographer "a" camera\tab manning tillman\par
first assistant photographer "b" camera\tab jamie felz\par
second assistant photographer "b" camera\tab ryan rayner\par
first assistant photographer "b" camera\tab carlos lopez-calleja \par
second assistant photographer "b" camera\tab jeff caples\par
steadicam operator\tab geoffrey haley\par
video assist\tab chris lum\par
still photographer\tab ron batzdorff\par
chief lighting technician\tab henry coccetti\par
assistant chief lighting technician\tab trish herremans\par
lighting technicians\tab patrick brennan\par
\tab barry gross\par
\tab joseph m lyons\par
\tab joel potter\par
\tab walton rowell\par
\tab lw walman\par
balloon technician\tab adam meltzer\par
rigging chief lighting technician\tab keith morgan\par
rigging best boy lighting technician\tab rick hopper\par
rigging lighting technician\tab thomas g hurn\par
first company grip\tab loren corl\par
second company grip\tab larry edwards\par
camera grip\tab william daimant\par
grips\tab aaron knoke\par
\tab james viera\par
\tab grant goza\par
\tab david parker\par
\tab bill heath\par
\tab john loveall\par
\tab jeff tomhave\par
\tab teague uva\par
rigging first company grip\tab patrick o'mara\par
rigging grip\tab michael moeller\par
digital imaging engineer\tab nick theodorakis\par
hd utility\tab daniel applegate\par
assistant to dit engineer\tab oliver mancebo\par
sound mixer\tab steven a morrow\par
boom operator\tab josh bower\par
utility sound\tab robert sharman\par
property master\tab guillaume delouche\par
assistant property masters\tab james meehan\par
\tab mark kelly\par
\tab jeremiah brehme\par
apprentice armorer\tab martin navarro\par
special practical effects created by\tab tatopoulos studios inc\par
make-up effects supervisor\tab guy himber\par
key mechanic\tab jon dawe\par
lead person\tab bruce d fuselier\par
buyer\tab william m debiasio\par
on-set dresser\tab brian vogelgesang\par
set dresser\tab christopher wright\par
gangboss\tab terry hargis\par
special effects supervisor\tab matt kutcher\par
special effects office co-ordinator\tab jennifer sheppard\par
special effects foreman\tab lee alan mcconnell\par
on-set special effects technicians\tab dennis yeager ii\par
\tab shannon thompson\par
special effects technicians\tab brett barrett\par
\tab matt disarro\par
\tab michael duenas\par
\tab andrew j loprino\par
\tab christy sumner\par
construction co-ordinator\tab wayne springfield\par
construction foreman\tab michael van dyke\par
labor foreman\tab patrick reyes\par
construction gangboss\tab jason a silber\par
propmakers\tab bob carmody\par
\tab rick caruso\par
\tab steven allen clark\par
\tab john g gallaher\par
\tab curtis giese\par
\tab guy a herman\par
\tab brett hernandez\par
\tab creighton j larson\par
\tab jess mcleod\par
\tab robert j van dyke\par
toolman\tab mical silber\par
lead scenic\tab eric reichardt\par
stand-by painter\tab jay koiwai\par
decorator gangboss\tab keith kip sawyer\par
painters/decorators\tab keiran brown\par
\tab carol emmerling\par
\tab wendy jerde\par
\tab doreen parker\par
\tab alejandro poli\par
\tab frank ramirez\par
greens foreman\tab steve peirano\par
stand-by greensman\tab roger prater\par
animal wrangler\tab sarah clifford\par
department head make-up artist\tab elisabeth fry\par
make-up artist\tab annette lorant\par
department head hair stylist\tab kenneth walker\par
hair stylist\tab yvonne depatis kupka\par
additional hair stylist\tab candy l walken\par
wardrobe supervisor\tab janet stirner\par
set costumers\tab liz donovan mestrandrea\par
\tab gloria fonseca\par
costume production assistant\tab brittany trusler\par
production supervisor\tab ted gidlow\par
production co-ordinator\tab nellie adami\par
assistant production co-ordinator\tab stacy foot\par
production secretary\tab philip hoang\par
production office assistants\tab keegan wilcox\par
\tab joni smith\par
\tab evan cohen\par
\tab todd segal\par
script clearance co-ordinator\tab ashley kravitz\par
second 2\super nd\nosupersub assistant directors\tab renee hill-sweet\par
\tab yor-el francis\par
key set production assistant\tab scooter perrotta\par
set production assistants\tab andre hoogeveen\par
\tab abigail lufkin\par
\tab dillon neaman\par
\tab erin stern\par
\tab muffett brinkman\par
location manager\tab jennifer dunne\par
key assistant location manager\tab leslie morrow\par
assistant location managers\tab janet harold\par
\tab scott mosher\par
\tab nathan stein\par
production accountant\tab dawn darfus\par
first assistant accountant\tab john albrecht\par
second assistant accountant\tab carolin ruoff\par
payroll accountant\tab gloria kirkwood\par
vp of production finance (lakeshore)\tab tal meirson\par
casting assistants\tab cathy bunnin\par
\tab erin toner\par
extras casting\tab rich king\par
extras casting assistant\tab kelly hunt\par
stand-in chev\tab tim dodge\par
stand-in utility\tab zack milan\par
transportation consultant\tab geno hart\par
transportation captain\tab kirk huston\par
transportation co-captain\tab jody bingenheimer\par
dispatcher\tab nathan hardcastle\par
drivers\tab james jeffrey cadmus\par
\tab curtis clark\par
\tab audrey fitzgerald\par
\tab ned lagrotta\par
\tab krista mclean\par
\tab j larry michael\par
\tab peter ortega\par
\tab lamond reynolds\par
\tab armando santana\par
\tab sean "chris" stephens\par
\tab frank valle\par
\tab h david wilson\par
\tab jim oge\par
\tab aries kirkpatrick\par
\tab neil chrisholm\par
\tab michael r scotty\par
\tab john russo\par
unit publicists\tab chris libby\par
\tab chris regan\par
security company\tab stanback security\par
saftey consultant\tab paul holehouse\par
key on-set medic\tab dominique jaramillo\par
construction medic\tab suzie van dyke rn\par
on-set medics\tab robert caballero\par
\tab mike mckean\par
\tab gary kurashige\par
caterer\tab alex uceda\par
\tab alex's gourmet catering\par
chef/driver\tab edwin uceda\par
cook/helpers\tab aleyda arias\par
\tab alfonso barrientos\par
\tab enrique bonilla\par
craft service\tab dave kasubowski\par
assistant craft service\tab jesse g crevantes\par
assistant to mr rosenberg\tab kate schriver\par
assistant to mr lucchesi\tab scott herbst\par
assistant to mr wright\tab grant grabowski\par
assistant to mr neveldine & mr taylor\tab christine brown\par
assistant to mr williamson\tab thomas beatty\par
assistant to mr statham\tab kelly bowen\par
assistant to mr rubin\tab bryan iler\par
\pard\keepn\fi720\sb240\sa120\qj\ul post-production\par
\pard\fi720\sa120\qj\tx5103\ulnone first assistant editors\tab jackson yu\par
\tab ron south\par
apprentice editor\tab michael pasqualone\par
editorial production assistant\tab deidre panziera\par
post production accounting\tab teresa alvis\par
post production co-ordinator\tab gary oldroyd\par
supervising sound editor\tab mark larry\par
sound designer\tab eric warren lindemann\par
sound effects editors\tab richard e yawn mpse\par
\tab bill r dean\par
supervising adr editor\tab julia evershade mpse\par
dialogue editor\tab stephanie flack mpse\par
first assistant sound editor\tab nancy barker\par
assistant sound editors\tab nathan whitehead\par
\tab jacob riehle\par
sound design & editorial\tab danetracks inc\par
re-recording mixers\tab ken s polk cas\par
\tab ezra dweck\par
digital re-recording by\tab wilshire stages\par
adr mixer\tab eric thompson\par
adr recordist\tab chris navarro\par
adr voice casting\tab barbara harris\par
foley artists\tab vince necastro\par
\tab laura macias\par
foley mixer\tab shawn kennelly\par
music supervisor\tab brian mcnelis\par
score produced by\tab paul haslinger\par
score production co-ordinator\tab david iscove\par
scoring mixer\tab james murray\par
nuendo & protools engineer\tab travis smith\par
music editor\tab brian richards\par
assistant music editor\tab jesus castanon\par
additional arrangements\tab david iscove\par
\tab enoch jensen\par
additional programming\tab tony austin\par
\tab robin lynn\par
musical sound design\tab colin fraser\par
\tab for biolabs audio\par
\tab diego stocco\par
featured guitar performances by\tab david iscove\par
\tab brian taylor\par
\pard\keepn\fi720\sb240\sa120\qj\ul visual effects\par
\pard\fi720\sa120\qj\tx5103\ulnone visual effects by\tab digital filmtree\par
visual effects supervisor/designer/compositor\tab travis bauman\par
executive producer\tab ramy katrib\par
lead cgi artist/system administrator\tab steve robinson\par
cgi artist\tab sazeer kader\par
rotoscope artist/vfx lineup\tab donna madrigal\par
vfx editor/junior compositor\tab lakan de leon\par
rotoscope artist\tab dylan chudzynski\par
freelance cgi artist\tab craig sylvester\par
compositor\tab thomas tannenberger\par
cgi assistance\tab olcun tan\par
i/o supervisor\tab edvin mehrabyan\par
i/o technicians\tab patrick woodard\par
\tab john de sort\par
additional visual effects by\tab sub/par pix\par
lead compositor\tab gary e beach\par
digital artist\tab gary oldroyd\par
executive producer\tab james mcquaide\par
digital intermediate services by\tab laserpacific, a kodak company\par
nitris conform\tab bill missett\par
digital intermediate colorist\tab david cole\par
account service representatives\tab tom vice\par
\tab anna dinuovo\par
colour science\tab doug jaqua\par
data conform\tab val eisleben\par
film record services\tab kyle devreindt\par
\tab dave slaughter\par
title animation\tab brian taylor\par
colour timer\tab chris regan\par
payroll services provided by\tab axium international inc\par
script clearance by\tab joan pearce research associates\par
satellite imagery provided by\tab www.resmap.com\par
\par
\pard\fi720\sa120\qc tm & copyright \'a9 2006 by lakeshore entertainment group llc and\par
lionsgate films inc\par
all rights reserved\par
\par
soundtrack available on \par
lakeshore records \par
\ul\par
songs\ulnone\par
\caps "\caps0 metal health\caps "\caps0 \par
written by frankie banali, carlos cavazo, tony cavazo, kevin dubrow\par
performed by quiet riot\par
courtesy of epic records\par
by arrangement with sony bmg music entertainment\par
\par
"new noise"\par
written by dennis lyxzen, david sandstrom, kristofer steen, jon brannstrom\par
performed by refused\par
courtesy of burning heart records/epitaph\par
\par
"take it"\par
written by t galvin, t potier, e foxx\par
performed by black mob group\par
courtesy of avx music group/the black mob group\par
\par
"club 5"\par
written and performed by robb williamson\par
\par
"mind gone"\par
"who i be" \par
"soldier of fortune" \par
"all day" \par
written by e foxx \par
performed by the black mob group\par
\par
"it don't stop"\par
written by david perez, lester mendoza\par
performed by david rolas\par
courtesy of fonovisa records, a division of univision music llc\par
\par
"satiated"\par
written and performed by brian berdan\par
\par
"aziza"\par
written by haitham al hamwi\cf1 \cf0\par
courtesy of associated production music llc\par
\par
"achy breaky heart"\par
written by donald von tress\par
performed by jarrett & long\par
\par
"bandera"\par
written by raul chapa elizalde\par
performed by control machete\par
courtesy of disco manicomio/polygram discos mexico sa \par
de cv under license from universal music enterprises\par
\par
"crank tango"\par
written and performed by rick cox\par
\par
"meva juan"\par
written and performed by robb williamson\par
\par
"turn me loose"\par
written by paul dean, mike reno\par
performed by loverboy\par
courtesy of sony bmg music entertainment (canada) inc/columbia records\par
by arrangement with sony bmg music entertainment\par
\par
"guasa guasa" \par
written by francisco saldana, victor cabrera, \par
tego calderon, julio voltio\par
performed by tego calderon\par
courtesy of white lion records inc\par
\par
"trix are for kids"\par
written by james decker, jay decker, james kaa, \par
barry miranda, andrew porterfield\par
performed by the crowd\par
courtesy of posh boy music\par
\par
"everybody's talkin"\par
written by fred neil \par
performed by harry nilsson \par
courtesy of the rca records label \par
by arrangement with sony bmg music entertainment\par
\par
"is that too much to ask"\par
written by nina ossoff, mike shimshack\par
performed by shelly harland\par
courtesy of bok music\par
\par
"utopia"\par
written by ritchie lo\par
courtesy of associated production music llc\par
\par
"let's get it on"\par
written by marvin gaye, ed townsend\par
performed by gerald levert\par
courtesy of motown records under license from \par
universal music enterprises\par
\par
"kill all the white man"\par
written by mike burkett (fat mike)\par
performed by nofx\par
courtesy of fat wreck chords \par
\par
"la fiesta remix"\par
written by david perez, jimmy montoya \par
performed by david rolas\par
courtesy of fonovisa records, a division of univision music llc\par
\par
"miracles"\par
written by marty balin\par
performed by jefferson starship\par
courtesy of the rca records label \par
by arrangement with sony bmg music entertainment\par
\par
"bring us bullets"\par
written by john reis, jason crane, paul o'beirne, \par
peter reichert, mario rubalcaba\par
performed by rocket from the crypt\par
courtesy of vagrant records llc under license from \par
universal music enterprises\par
\par
"adrenalina"\par
written by david perez, jimmie montoya, \par
moses ramirez, robert castillo\par
performed by david rolas featuring 10 west and jimi barrz\par
courtesy of fonovisa records, a division of univision music llc\par
\par
insurance provided by\par
\caps dewitt stern of california insurance services\par
\caps0\par
completion guaranty provided by\par
international film guarantors\par
\par
production financing provided by\par
jp morgan chase bank\par
\par
\caps filmed on location in los angeles, california\par
\caps0\par
the producers wish to thank\par
the following for their assistance:\par
robert benun\par
jennifer brooks\par
christine buckley\par
lynn hobensack\par
mike lechner\par
virginia longmuir\par
toby midgen\par
robert mcminn\par
marc reid\par
max smerling\par
carlos fuente jr\par
rick harding\par
colin windham\par
\par
produced in association with greenstreet films \par
\par
high definition camera system supplied by pace hd\par
\par
lenses by zeiss\par
\par
color by deluxe laboratories \par
\par
dolby digital\par
[sdds] [dts]\par
in selected theaters\par
\par
no 42799 [mpaa globe]\tab iatse\par
motion picture association of america\par
\par
the persons and events in this motion picture are fictitious. \par
any similarity to actual persons or events is unintentional.\par
\par
this motion picture is protected under laws of the united states \par
and other countries. unauthorized duplication, distribution or exhibition may result in civil liability and criminal prosecution.\par
}
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