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01-10-2006, 11:00 pm
#1
lion heart
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kevin nash torch talk from early 2005
this is long as it's a 12 part series from keller and the boys so it's going to take a few days to post it all in it's entirety. it's a great read and well worth the wait. for tonight i will start by posting part 1.
kevin nash was one of the key figures in what is regarded by many as
the most successful wrestling angle of all-time - the outsiders
invasion of wcw and the formation of the new world order. he also is
considered one of the main guilty parties in the downfall of wcw and
its flagship program nitro on tnt. his career began in 1989 and has
included him being a joke of a character in opening matches as oz to
main events at madison square garden with the wwe title, and later a
top heel during the hottest run in wrestling history. now he wrestles
for tna and has done a number of acting roles including a supporting
role in the upcoming movie "the longest yard."
this "torch talk" series is derived from a six-hour interview with nash
conducted march 24. it's an interview many people thought they'd never
read considering how harsh this publication had been in covering his
career over the years, yet he sat down and answered every question
without any restrictions on time or subject matter. during it, nash
talks about virtually major person he's known and every major incident
he's been involved in during his sixteen year career.
known for being opinionated and outspoken, he pulls no punches as he
talks about his friends and enemies. he also defends himself against
criticism he's received over the years for his ring work and behind the
scenes politicking and influence. he also often accepts blame and
fault. in this first installment, he discusses why he joined tna this
late in his career, and then begins talking about how he got started in
pro wrestling in the first place.
wade keller: why did you agree to work for tna? certainly with the
millions you've made working for wcw and the wwf, along with your rep
for being a good steward of your earnings, and all of the injuries
you've been through, at first glance it seems like wrestling for tna is
something that wouldn't be worth your while.
kevin nash: jeff (jarrett) is a good friend of mine. when i was
finishing up my deal with turner, he came to me and talked about
working for them. i just told him, "i've got to go to new york. i?ve
got to do this." so i kind of left him high and dry. i think he was
kind of hurt by the fact that i didn't go and try to help him get this
thing off the ground. he's a friend, he's a good friend. when he called
me they were doing it in nashville and i just didn't want to fly. i
don't need the money anymore. i mean, my ego is fine with wrestling.
when i first got into the back of a car, the first trip i ever made was
with sid, dutch mantel, the iron sheik, and myself. that was my first
trip. and i've got the rental car. i'm picking up sid. i smell pot in
the back seat. i look back there and there's the iron sheik smoking a
joint. (imitating sheik): "ah, baby, this is hot sh--. who's the big
jabroni?" i said, "i'm not a jabroni, sheik." he said, "of course
you're not, i'm not talking about you." (laughs) that's my first road
trip. that night we partied a little bit and we're driving and that's
when you'd drive 250 every night to the next town. dutch said to me,
"nash, what do you want out of your career?" i said, "i just want
someone, somewhere down the line, some guy in the car say, ?you know,
nash wasn't a bad worker.'" that's all i wanted. and i think anybody
that's been out there (in the ring) with me can't say "he sucks." i'm
not bad. i'm not great. i'm not bad. am i limited? f--- yeah. do i know
my limitations? yeah.
keller: so it?s the twilight of your career and you've decided you can
contribute to tna. what can tna contribute to the industry at this
point?
nash: the biggest problem is wrestling's stock is in such a down mode
right now. wrestling's not cool. so hopefully it can stay alive until
that next hump comes.
keller: raw's doing 4.0s. at least in that category, it's not too far
off from the peak. it's not 2.7, it's not 2.2.
nash: and the cable audience is much bigger now than years ago. and i
look at it and say from a standpoint of the business in general,
there's not that buzz. wrestling goes through periods where it becomes
pretty hot. i hope tna can stay around until it becomes hot and
somebody picks it up.
keller: paul heyman took ecw at a very low point in wrestling and
because of what he did, he made it work because he had a new concept. i
don't see that with tna. i don't see that tna has a grassroots
inspiration to bring wrestling into a new age with a new concept.
instead, it seems to be recycling old ideas along with a mix of the
pretty good x division and that type of thing. is that enough for it
survive?
nash: no. i think that's the biggest problem it has right now. it's not
an alternative because it's not more cutting edge than what's on the
other program. i realized the other day that they can't show cleavage
at 4 o'clock on fox sports net, so you are really limited in what you
can run storyline-wise and violence-wise. you're in a real sh--
timeslot. but, the first thing i would do if i were to be involved in
any part of the creative is to see what are our parameters. i'd ask
that all the time. back in wcw when i was booker, i'd have the
standards and practices guy come in and he'd say, "no, no, no." then
i'd try to figure out how to outsmart the guy and get the sh-- in. i'd
say, "how about this?" he'd say, "that'll work." but that's the whole
thing with tna. i don't know what their parameters are.
just the last couple of weeks it's gotten to the point where i went,
"this doesn't work for me and i really don't need the money." the 81
mile drive is getting really long and it ain't working. i told jeff
last week, "i don't know how much longer i'm going to do this." billy
(gunn) grabbed my leg and turned my foot when he rammed me off the pole
and my shin hit the f--in' pole and it's all infected now. i've got a
bone infection. i'm on antibiotics and all this other sh--. i'm 45, and
i'll be 46 in july. i got five f---in' grand for the last ppv. i could
pretty much sit at home and say, "f--- this." it's not worth it. i had
my match with jeff. the fans, i think, went, "wow, he's still got a
little bit left in the gas tank." the thing was, they don't understand
if they watch it back, i got you! it was smoke and mirrors. (jeff)
created all the movement and i sold my ass off and we ran every f---in'
obstacle we could. we used run-ins and everything we could possibly
throw in.
lion heart
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01-10-2006, 11:03 pm
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lion heart
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i had asked (jeff) if i could have a couple of his matches on dvd that
he had done lately against monty and a couple of the other guys. he
asked if he could get my badd blood and my match with shawn (michaels)
in omaha. he had those on dvd and i had his matches. we sat down and
went, "what do you see?" i looked at him and said, "what the f---. i've
got a legal pad right here. i've written down every f---in' prop we
could use and i had them on one side of the page and on the other side
were all of the human bodies we could use." he goes, "well, what've you
got?" and we just took all of those pieces and plugged them into a
match and that's what we did. it was the same thing with billy. i can
get 45 minutes out of a screwdriver! (laughs) i don't think anyone's
ever done that before.
keller: so are you announcing you've given your notice? are you
announcing you're thinking of it? what's the bottom line of this?
nash: i don't know if i'll be at the next tv right now. it's not fun.
if it's not fun, then i don't need to do it.
keller: if you had booking influence or control, could you make it fun?
nash: i don't know. that's a huge commitment to make. now you're
basically saying, lee iacocca sucks and i'm going to put out a car
that's going to be a world car. i don't know since i haven't been
around and haven't pushed those buttons, i don't know if the machine
can do that. i've got stuff going on in hollywood to consider. my agent
earlier today told me i'm good in "the longest yard" and i'm going to
get other work (in hollywood). he said, "you stand out in it. you're
going to get work off of it." okay, fine, great. i just finished
another movie about two months ago. that's three in all. i've been able
to get steady work and do parts here and there. i've got one in april.
i've got another probably in september. it's a scene here, a scene
there, but i mean, i'm working acting-wise and that's really
fulfilling. that's nice. it's not at the level that duane (johnson, the
rock) is doing, thank god, so i can still live my life and not worry
about my kid being snatched. i look at the fame a lot of these guys
have and i just think, "i don't know if i want that." i do like to be
able to go to the rental car place and get a premium upgrade on a
luxury model (because i'm recognized). that's good enough for me
[laughs]. anything more than that, i don't need. i also like getting a
two bedroom for the one bedroom price at the sheraton. that's fine with
me.
keller: you are announced for the next ppv main event. is that at least
an almost-for-sure commitment?
nash: no. it's not. because to me, it's? i mean, i'm 0-5. four of those
were with dusty (rhodes) booking. i think in that time his son is 5-0.
it gets to the point where, you know, i'm not a mark, but i can't work
for a company that books matches, but doesn't book finishes ? if you
saw the booking of trytan vs. monty brown, his booking is still cutting
edge [laughs]. mother f---, i saw that sh-- that night and i went, "you
know what, i don't care what (christopher) daniels and a.j. (styles) do
after it, it's not going to pull this pay-per-view out. that is a
f--in' back and to the left kennedy head-shot where it's the emergency
room and we're just going to make you comfortable until you die -
because it didn't matter what happened after that, let alone our f---ed
up finish and everything else that happened.
keller: with trytan, it was a gimmick with a lot of hype, but nothing
beyond that.
nash: the thing with him is this. this is my whole thing. you can print
this or not print this. if i was booking that whole show, you know that
monty is going to turn at the end of the night, which nobody was
smarted up to.
keller: including monty?
nash: monty knew. but nobody else was smartened up. it was one of those
"let's work the boys" things that always gets so over with the boys.
yeah, work us, mother f---er. so, it's like, because if they would have
told me this ahead of time, i could have f--in' helped the situation.
so if monty's gonna turn, then why doesn't trytan beat monty in 30
seconds? all right. so you're at home going, "mother f---er! that big
dude beat monty!" so now he spears dallas page in the finish and you
say to yourself, "well, f--, did he do that because he got beat in 30
seconds? why did he do that?" and monty becomes sting. monty becomes an
enigma. you don't come out the next tuesday and go "ha! ha! ha! monty
was in my corner" and then point to your head like you're smart. f---,
what are we, back in memphis? i'm waiting for dundee to f---in' take me
and give me a f---in' bulldog. i mean, what the f---? where are we at?
we're doing rural wrestling and we're on fox sports net. we're in the
27 largest metropolitan areas and that's it. we should be doing urban
wrestling. we're doing rural. dusty sits in the back of a pick-up truck
with hay bails. hey, dusty, quick clue. a little something from me to
you. become fat joe, have a couple of black bi---es, and be in an
escalade. then we'll do a number (a high rating). what the f--'s going
on? i'm 46 years old and i'm the hippest guy in the room. what the f---
is that?
keller: the hipness of tna is a major issue with them and always has
been. they seem oblivious to it, though.
nash: i mean, my whole thing has always been this. all right, i'll talk
to guys. i was watching bet the other day. who watches bet? well, i do,
because they got really raw underground rap guys who come on there. you
can get some really incredible ideas. there's a magazine called urb.
it's an urban magazine. nobody reads that magazine. i get script to it.
i read it. there are so many things in so many magazines. when was the
last time these guys watched real life, or (paid attention to pop
culture). "i don't watch that sh--," they say. you know why? once again
it's because you're in the wrestling bubble. you don't understand.
right now, they're doing the thing with batista. batista's starting to
pose like (famous bodybuilder) frank zane. i told vince (mcmahon) when
i was there a long time ago, you've got to realize that in this culture
that we're in, the two biggest babyfaces are a crooked cop on "the
shield" (an fx cop show) and tony soprano (on hbo's "the sopranos").
those are the babyfaces in our society. anything that isn't near that,
f--- it. that's it. those are your babyfaces. and the heel is glen
close. she comes in to control the f---in' corrupt cop and she's a
f---in' heel. there's your society. that's what we've got to book with.
that's the norms we've got to go with. i've got people telling me, "i
wish they'd pull the plug on this f---in' broad and shut the f--- up,
i'm tired of it." there's no humanity left in this world. to me, this
is awfully surreal with this whole situation so close to easter. it's
pretty weird. she should be dead by now. if you didn't give me water
for six days, i'd die. why isn't this lady dead. maybe you should put
the deal back in.
okay, back to the point. if you knew you were turning monty heel at the
end of the night, why wouldn't you let the big kid kill him in 30
seconds? let monty hit page and let him be an enigma. why did he do it?
did he do it because he got beat? that way it elevates the kid, the kid
can go on a tear, you can do the goldberg thing with him and protect
him, because there's nowhere for guys to work anymore. there was no
thought put into it. he's a good kid and now he's f---ed. now he's oz.
i felt that. i've been there. when you've been there as a big guy and
monty's telling you to throw chops and his chops are the sh--s because
you don't throw chops, it's a mess. he came back and i asked him, "what
was up with those chops?" he said, "well, monty called them." i said,
"f---, when i worked with him, i would have called back ?dropdown and
blow me if you're going to do what the f-- i call.' you've got to
protect yourself, dog." to me, the only way that guy can get over is if
a guy like either (kevin) sullivan or somebody comes in and says
[imitating sullivan]: "brotha! i need to get you over!" you need
somebody who's demonic. i told him, "you're not me. you're a big gassed
up f---er, but you ain't me."
keller: has a.j. styles impressed you?
nash: yeah.
keller: he's not a vanilla midget (a term nash used to demean dean
malenko, chris benoit, and others in wcw years ago)?
nash: no. the vanilla midget comment, that was at a different point in
my life. i've got a much greater appreciation for those guys today. the
thing that killed me was watching (christopher) daniels and a.j. work
before me and jeff. i mean, you talk about your ass tightening up. i'm
watching that going, "f--in' hell, this is good! this is really good!"
i'm watching and i'm not even thinking about a spot i've got to do or
anything. all i'm thinking is, "this is really good." then when they
went to the time limit, i asked how long they were going after the time
limit. they said, "three minutes." i said, "well, i guess i should get
up and stretch. i'm 45 years old. i gotta quit being a f---in' mark and
watching their match." i didn't remember anything we were doing. i
figured, though, it'll come to me. we got out there. i don't know if
you can see it on tape or not because i haven't watched it back, but i
looked at jeff (in the ring) and said, "i'm blank. call it!" [laughs]
keller: do you think jeff jarrett should have been nwa champion this
long?
lion heart
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01-10-2006, 11:06 pm
#3
lion heart
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nash: it's almost like paul (triple h). i don't see anyone on the
horizon that he should drop it to.
keller: how much of a fan of pro wrestling were you growing up?
nash: huge. we had big time wrestling in detroit when i was growing up.
it had bobo brazil, **** the bruiser, the kangaroos. i was a huge fan
of moose cholak. igor, (pampero) firpo, we had a lot of people that
came through there. detroit was a hot territory. my friends and i used
to have wrestling matches in sixth or seventh grade. we'd use foreign
objects and end up down in the principal's office. my uncle was a huge
wrestling fan. my mom wouldn't let us look at the magazines, so i'd
have to take them over to his house. back then, all the covers of all
the mags were nothing but color, nothing but juice. it was juice,
juice, juice, juice, juice. i remember the first match i saw, at the
olympia.
keller: do you remember the first live event you attended?
nash: the first match was sheik vs. **** the bruiser. this was '69,
maybe '70. it was a cage and they got double-juice. we were sitting
near where the heels came out. we screamed at the sheik. eddie (ed
farhat, the original sheik) looked up at us. nobody got a crimson mask
like he did. it was basically blood and eyes. he looked up at us and it
was like the devil looked at us. me and my brother were just horrified.
i remembered that. it wasn't until i actually met him years and years
later when i was in the business that i was able to put that demon to
rest that he was actually not in fact the devil. that's back when there
was real heat. it was a different feel.
keller: that story reminds me of sheik adnon al kaissey (a/k/a general
adnon) when he first arrived in the awa as a heel wrestler around 1980.
he applied the abdominal stretch, but he'd yank on the leg at the same
time.
nash: which scott hall stole. he stole that with his three legged man.
scott got it from him.
keller: the look on sheik adnon's face scared me. the awa had heels
like adrian adonis, jesse ventura, ray "the crippler" stevens, nick
bockwinkel, and jerry blackwell, but this guy really scared me. i
thought, "okay, the awa used to have these bad guys, but this guy came
in from the middle east and he's taking over. this is real!"
nash: that's the way i looked at it. the kangaroos worked that night
and they had a real choreographed kind of match. even at my age i kind
of felt (something wasn't right). but when (sheik and bruiser) had the
cage match and he went to the foreign object, i thought these guys
hated each other, this is real, they're bleeding, and he's the devil.
keller: in the awa, mean gene was scared of sheik adnon. promoter wally
karbo was scared. there seemed to be a different look in their eyes
because they felt they had someone on their hands they couldn't
control. that's cool believability. i'm not sure if you can reproduce
that today. in 1980 for me and 1970 for you, it worked.
nash: for a real short period of time, i think we had that with the
nwo. i really think we did. when we swung baseball bats at guys, the
fans didn't know they were gimmicked bats, i think that's why that
angle lasted so long. because the genesis was live. the genesis was
real. it was two new york guys coming in and the fans bought it as a
takeover. (eric) bischoff looked at me and said, "we're on fire." i
remember saying, "eric, you've got to realize you've got two guys from
new york that have come in here and the entire country thinks two guys
can take over your company. you guys are not strong! [laughs] what the
nation is basically saying, ?f---, two guys from the yankees came down
into the mets and you're f---ed.' and that was the whole deal. they
believed. we were straight off of their (the wwf's) tv. never before
had two top guys who weren't played out jumped over. i mean, people can
say what they want about bischoff, but it was bischoff's creation and
bischoff's idea. he may never get any credit for this business, but
bischoff had a vision and always had a vision and always will have a
vision that is very hip.
keller: i think he does get credit for that. he gets credit for both
the good and the bad.
nash: this book came out called the "death of wcw" and they said
basically i was oswald. i say f--- that. number one, you've got to
think outside of the wrestling bubble. you're talking about time
warner, the biggest multimedia conglomerate in the world being
basically eaten up by a dot-com crash. i know i lost high-six-figures
in the dot-com crash. the crash of the dot-coms meant the crash of time
warner which means anything that's not soluble has got to go. anything
in the red has got to be eaten. it has nothing to do with booking,
ratings, anything else. their stock went from seventy-three to
seventeen dollars. people have got to realize that there's more out
there to life than the wrestling world. there's a thing called
economics. was i oswald? no. was i sitting on the grassy knoll with a
rifle? probably. but you know what, if you create the frankenstein
monster, you have a right to drive a stake into its heart. that's the
way i feel. if i caused it to die, if my booking was that rotten -
well, i don't think it was, but then i didn't have creative control.
hulk (hogan) had creative control, i wrote a show, and it's monday at 6
o'clock and hulk would show up and he'd say, "brother, that doesn't
work for me." then we were pretty much screwed.
keller: we'll get into that in great detail later. i want to jump back
a few steps first. did you remain a fan until you became a wrestler or
was there a spell in there when you moved on to other things as a
teenager?
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01-10-2006, 11:09 pm
#4
lion heart
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nash: i got away from it then. i grew big and tall and became a
basketball fan. i got away from the sport. then i came home after
playing ball over in europe. i blew my knee out over there. i came home
to detroit. some of my buddies would go out every friday and saturday
night to different places. they came and got me one time and they said,
"hey, we're going to joe lewis tonight." i said, "what are we doing?"
they said the wwf was in town. i said, "nah, i don't want to see that
crap." i went there and we sat close. we sat probably ten rows back.
that's when (jim) hellwig was the dingo warrior. he hadn't been on tv
yet. he was just doing the house shows. he was probably 300 pounds. he
was the biggest dude i had probably ever seen in my life. i remember
(ron) garvin was on the show. garvin did the stomp. we'd talk sh-- to
him. he kind of came over and put us over and kind of got in our faces.
hulk then came down. he was in the main event. it was funny because
there i was ten rows back and his charisma and everything else was so
gigantic, i thought he was much larger than i was. hulk was that larger
than life. he really was that guy. i was 45 feet from him and he looked
way bigger than i was. they used to say he was 6-10 and 345 pounds.
when i finally met him in wwe in '93, he was like 6-6, 275. i said to
myself, all right, he got me! [laughs] good marketing ploy. i bought
it. i'd say the world bought it. that's my history of pro wrestling as
a fan. i always was a fan and always will be a fan. i don't watch as
much as i used to because i've got a lot of things going on in my life,
but i will always be a wrestling fan.
keller: so you saw this wwf show. you were impressed with hogan. you
saw warrior. was it at that point that you thought maybe this was
something you wanted to do.
nash: as i said, i tore my knee up playing ball over in europe. i was
just rehabbing it and basically looking for something to do. not to be
a **** or anything, but i thought to myself, i'm a much better athlete
than 90 percent of the guys in that ring even with a bad leg. that's
the one thing people don't understand. nobody knows the extent of the
knee injuries i had before i broke in in '89. i was told by three or
four doctors, including the (detroit) lion's orthopedic dr. tigie - he
did billy simms's rehab on his knee and tried to get him back. he told
me, "you're done. you'll never be able to run again, let alone walk
without a limp. you've destroyed your knee." and i look at that and 16
years later, i'm still in the ring. i wonder what kind of career i'd
have had if i wouldn't have blown my knee out. i had a 39 inch vertical
jump when i was in high school. i was an athlete. basically i came into
wrestling and people would always say, "he's lazy!" dude, (roddy)
piper's not called lazy and he's crippled, so why am i lazy? [laughs]
because i'm younger? if you're lame, you're lame. i'm doing the best i
can. if i flew from detroit to denver and my knee swelled up and i went
to nitro that afternoon, guess what, you didn't get a good match
because guess what? the vicodin didn't kick in and i was in a lot of
pain and i did the best i could that night. but, if you've ever seen my
knees up close, if anybody's ever sat down with me, my friends know,
they look at me and they know how bad my knees are. they see me get up
in the morning and walk around.
keller: with this bad of a knee injury in basketball, what made you
think you'd be able to even try wrestling?
nash: as i said, i had my leg wrapped against the ringpost the other
night and (billy gunn) didn't turn my foot and throw my calf against
the pole, he threw my shin against the pole. he busted my leg wide open
at the shin. i got a staph infection. so the thing knotted up about the
size of a softball. i put ice on it for three or four days. it wasn't
getting any better, so i put a heat pack on it. i put the heat pack in
the microwave for three minutes and put it on my leg. i thought, "f---,
this is kind of hot." but i just sat there and said, "this thing is
really hot. it hurts!" i was going to do 20 minutes hot, 20 minutes
cold. i pulled it off and my entire leg was blistered where the thing
was. i basically gave myself second degree burns, but my pain tolerance
was so high that i just sat and rode it out. i can get my teeth drilled
without novocaine. i've just got a really high pain tolerance. i don't
know if it's god's gift or god's curse, but i was able to wrestle with
these bad knees.
keller: who approached you about becoming a wrestler?
nash: it was kind of my idea. i went down to atlanta. i was working the
strip joint up in detroit. i was working at bt's on michigan avenue. it
was the hottest strip joint in detroit. some guys came in who were
running a scam out of atlanta. i ended up going to atlanta and running
the scam. i ended up getting arrested by the fbi, incarcerated, the
whole deal. when everybody talked who needed to talk, i ended up
getting let go. the prosecutor got me out of it. and the guy that
served my papers told me, "hey, they're hiring down at the cheetah if
you need a job." so i got out of jail and went down to the cheetah when
it was the hottest strip club in atlanta at the time. i started
bouncing there. centre stage was probably a half mile from there.
(barry) windham, (rick) steiner, and a lot of the guys came down. i
became friends with some of the boys. f---, i was on the gas back then.
i was probably 370. i was huge. that was back when i could incline 405
to 12. i was a musclehead dude. i made six figures bouncing. when ole
(anderson) offered me my first contract, he said he'd give me 75 grand.
i said, "who do you think you're talking to?" i have a year-and-a-half
old cadillac. my wife has a brand new convertible mustang. i'm living
in a gated community in buckhead. i'm making 130, 140 a year. you've
got to be kidding me." he said, "that's all i can offer you." i asked
my wife. she looked at me and said, "if he offered you 30 and it got
you out of the strip joint, i'd say yes." she just wanted me out of the
strip joint.
keller: little did she know.
nash: [laughs]
wade keller: how did you go about being trained to be a professional
wrestler?
kevin nash: i checked around and people told me that jody hamilton had
a school and i went down and the first night i went there for a tryout.
they did the old school deal where you pay 1,500 bucks for a tryout.
they make you do a thousand hindus, a thousand step-ups, a thousand
push-ups, run the ropes for a week and a half, and have a couple of
guys stretch you, and make you go home and take your 1,500 bucks. when
it came time for the stretching part, i had made it through everything.
with bad knees and all, i did a thousand hindus, i did my step ups, i
did my push-ups. it got to the point where it was time to get
stretched. they had a little shooter pulling on me. i got my left hand
loose and hit him about three times in the face because i figured if
we're shootin', we're shootin'. i got a hand loose and busted the guy
open. the guy rolled out and said, "f--- this." they said, "okay, we'll
see you on monday." jody said to me, "you got heart, kid." i went to
school the next monday. when everyone else was doing hindus, i started
doing them. he pulled me aside and started talking about psychology
immediately. jody pulled me aside. everybody who goes to wrestling
school gets smartened up about eight months in. i got smartened up the
first day in. he told me about the kentuckians and the heat they had.
he laid it out, how they got the heat. he basically gave me a
psychology-work ethic backwards, which is probably my downfall in life
(laughs) because my psychology is way better than my work. but
basically, the thing was, he'd always say, ox baker could talk a house
in from a million miles away and people would pay 20 bucks to get the
f--- out. he could talk the talk, he couldn't walk the walk. but jody
was a great teacher. the thing was, man, jody was huge. he was way over
300 pounds. he'd get in that ring and start moving around. i had
nothing but respect for him because he was probably in his mid-50s when
he trained me and he could still motor in that ring, he could still
throw a hell of a working punch. it wasn't do as i say, not as i do.
dwayne bruce was there, and dwayne was a solid worker. sarge (dwayne
bruce) was a solid worker, but he was never big enough. so dwayne was
the guy i worked with on a day-to-day basis. i think that was good too
because i learned the lay the sh-- in. coming out of the chute, if
you're sh--'s f--in' weak, you're sh--'s weak. you're better off being
a cement mixer and nobody wants to work with you than come out and look
like a f---in' c--t. so that was jody's philosophy. and dwayne f---in'
laid his sh-- in and we worked snug down there. there were a lot of
nights that you got a sh-- knocked out of you. he lays clotheslined in.
i'd get up at 8 o'clock, go to the gym, i'd work a ten hour shift at
the strip joint because i switched to day shift, and come 8 o'clock or
9 o'clock at night, i'd drive 20 miles down to lovejoy, georgia to a
little hut that was half a wrestling school, and the other half sold
carpet remnants. no air conditioning, no heat, and for nine months i
went down there five nights a week and bounced around.
keller: what preconceptions did you have about what it would take and
what were you surprised when you started going through the process?
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01-10-2006, 11:11 pm
#5
lion heart
hammer (strength) time
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`nash: because it's a work, it's not like - i try telling people who
ask what makes pro wrestling so tough that it's the hardest thing i've
ever done. in baseball you either hit a ball or don't hit a ball. in
basketball you either hit the shot or you don't hit the shot. this is a
situation where you tell barry bonds, "okay, you have to knock the ball
out of the park, but you can't actually touch the ball." you have
convince me that you're killing each other, but because especially when
i broke in you worked 300 days a year, you have to look like you're
killing the guy on every move you do, night in and night out, except
you can't touch the guy because you have to work 23 straight days. man,
it's one of those deals where either the light bulbs comes on in this
business or it doesn't. my first match was live in asheville, n.c. at
the clash of champions. my partner jumped off the top rope and missed a
headbutt by four feet. i heard us lose the people (laughs). it didn't
take harley race to go, "brother, you lost the people." i knew right
then we lost them. and they'd start chanting "lod wanna bes" and i
said, "we're f---ed. we're dead. this is a dead gimmick." it's like oz.
when i walked in to st. petersburg that day and they handed me the oz
gimmick, i said to myself, "all right, they're running me out of the
business, but that's okay because i've got a guaranteed deal. f--- it.
i'll do what i can with it."
keller: how did the oz gimmick come about? did you have any input on
it?
nash: nothing. i walked into dusty's office. this was a conversation
i've said a million times, but it's classic if you know dusty. he said,
(imitating dusty), "you will be oz, baby." i said, "what do you mean
i'm going to be oz." he said, "you know, like the wizard of oz." i
said, "well, dusty, oz is a geographical region." he said
(enthusiastically), "no, you're the guy behind the curtain!" i said,
"no, he's the wizard of oz. he's actually the wizard. oz is a
geographical region, the place where they go to." he goes, "no, you
oz!" i went, "all right." so basically, i'm f---ed. (laughs)
keller: when you started with wcw, and it was jim herd (as executive
vice president) and ole anderson (as booker) basically in charge, you
didn't have anything to compare it to, but what did you think? first
class operation?
nash: when i first got to wcw, it was like a bad blow job. i knew
coming in. i didn't really anything out of it until they brought (rick)
rude in. when they brought rude in, for some reason rude and i
gravitated toward each other. it was one of those deals where rude
watched me in centre stage have a match and got to know me backstage
and said i had that robinsdale attitude. he saw that i didn't take no
sh--. so rude that night said to me, "where do you live, nash?" i said,
"i live here in atlanta." he told me he would come pick me up. he came
and picked me up in his mercedes and we partied a little bit on the
way. he smartened me up to the business. he said, "i'm going to watch
every match you do and i'm going to help you. you're going to be my
protege. all i ask you to do is drive me home every night. i'll drive
to the town, you just have to drive me home." i said, "it's a deal."
that was the deal. he would watch my matches. i remember the first
night, that night in augusta, he sat back there and they put madusa
with him as his valet. he was standing there in the red robe with the
curly mullet. he was walking back and forth with a cigarette hanging
out of his mouth with a two inch ash. he was walking back and forth
blowing smoke out of his nose. he takes a big drag and they're playing
his music. he drops his cigarette, puts it out with his boot, and walks
through the curtain. he stands there when the spotlight's on him and
blows the smoke through his nose like a dragon, walks to the ring, and
i went, "f--in' is he the man or what?" rude went out there and he did
great spots where he'd stop and make the babyface do a comedy spot.
then he'd stop him, snag on his back, and turn the people completely
the opposite way where suddenly this is the realist thing i've ever
seen. they'd be, "f--- you, rick rude!" and f--in' rude would do those
crazy great ass bumps, give the best f---in' feed of a heel probably
ever in the business besides triple h, and whatever the finish was. i
watched it, and i saw that formula night in and night out. at that
point wcw wasn't entertaining. rude was the first guy who got it, that
it was sports entertainment, you had to entertain the people. it's not
armdrag, armdrag, dropdown, get it again dawg. it ain't that. it's
f---in' entertainment. he was the first one who changed the profile or
the personality of wcw. i think people emulated him. shortly after jake
(roberts) came in, and those two guys basically changed things.
i remember one night in tallahassee, jake had nikita (koloff) slam him
like twenty times in a row. nikita was so blown up. nikita wasn't
selling for anybody those days, and jake was so smart, he told him to
slam him again and again and again and again. he'd ask him how blown up
he was, then told him, "now sell my sh--y jabs! you're mine, *****."
(laughs) i watched that and learned from jake and rude that you have to
control that environment. as soon as you do that, there's no nerves,
you never blow up. people ask, "aren't you worried about blowing up,
you haven't worked in six month?" you can't blow me up. i work too
f--in' slow. i don't work your pace. i can't work your pace, you work
mine. i remember i was in the business three or four years. i was
working with scorpio. we had a match that was kinda the sh--s and he
said, "dude, you gotta pick it up." i said, "you don't understand, man,
i'm all f---in' beat up. i said, "i can't work your speed, you have to
work mine. you have no choice." the only time i've ever had great
matches is when guys that i worked with can create movement. shawn
michaels, bret hart, triple h, and i thought i had a really good match
with jeff (jarrett) the other week. jeff can create movement. i could
f---in' have a great match with sean waltman. anybody who can create
movement and the illusion that i'm moving besides swinging, ducking,
dropping you over me - as long as there's an illusion there. i knew
that from day one. scott hall could do that. scott is probably the
greatest big-man worker ever in the business, to me. i've watched
(bruiser) brody tapes, i've watched (stan) hansen tapes. i've watched
every f---in' match those guys have had. they weren't at scott's
caliber. they couldn't have had that ladder match. nobody six-foot-six,
275 can work like scott hall.
i have some pictures here. i live by myself on the beach. i have very
few photos of the boys, but i have a black and white photo somebody
took of the first night scott and i and (eric) bischoff were together,
june of 1996. i've got a picture of me, shawn (michaels), and triple h
at his wedding. i've got a picture of me and triple h from his wedding.
and then i've got a picture from berlin of the clique. and that's
basically all the wrestling photos i have. oh, i've got a picture of me
and (steve) austin, too, because steve's a real close friend of mine.
that's about all i've got. i look back at my career, there's a lot of
guys i've respected, a lot of guys that i pay homage to, but it's
always been the clique, steve austin, and take (undertaker). i've
always had a real closeness with take. i had a real good relationship
with those natural born thrillas guys, like (mark) jindrak and guys
like that. it was kind of fun to give them the rude treatment, kind of
teach them how the business runs.
keller: when you first got to wcw, did you have to pay dues? did you
have to go through any kind of initiation?
lion heart
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01-10-2006, 11:12 pm
#6
lion heart
hammer (strength) time
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nash: you know what, it was one of those deals, i think because of what
i was, i was a pretty well-known bouncer. there were a lot of fights
and the guys at clubs would pay me a couple hundred bucks to break up
fights. i was pretty heavy-handed and back then you could beat the f---
out of people. growing up in detroit, i've been fighting since i was
six years old. i'm not afraid to fight. to this day, i'll fight
tomorrow, i'll fight anybody. i don't give a sh--. worst case scenario
in a fight is they can kill you. the second-worst scenario is they can
beat your ass. the third-worst scenario is you can beat the f--- out of
them and they can press charges. i was a big f---in' guy and i've
always had a good sense of humor, i've always been kind of the locker
room comedian. at the same time, if you f-- with me, i don't give a
f--- if you're the world champion, i'll punch you in the face. i'll
take you into the f---in' showers and i'll wait until you soap your
head up and you're bent over and i'll punch you in the side of the
head. there's a respect to being six-ten and 340 and then guys go to
the gym and watch you incline 405 for twelve reps and they go, "f---,
you're a big, strong motherf--- who moves pretty good." my deal was
anytime i got into a fight with a normal human being, i'd ask, "when's
the last time you fought a six-ten, 320 pound guy who was in shape and
knows how to fight? ever! go ahead and think about it because let me
tell you something, when you say f---in' stop, i ain't stoppin'. i'm
not that f---in' guy. i'm the guy that will kick you until i break my
shins, until you get underneath a f---in' engine block. i'm that guy. i
think that translates. i think when you're a f---in' heel and you work
with people, you have that prick gear. scott hall had the gear. shawn
michaels had the gear. you have to have the ability to change gears
when you actually get heat on somebody. i think disco inferno is a
great worker, but he never had the ability to shift gears. he never had
the ability to make people think he was a nasty mother f---er. and
glenn could do everything else. you could beat glenn every night of the
week and he'd stay over, he just can't turn gears. that's one of my
things that i want to do. everything can be taught in life. the saying
is you can't teach a new dog old tricks. that's bullsh--. you have to
have the patience to teach that dog the trick. anything can be taught
in life. you can take an 85 year old woman and teach her latin if she
wants to learn it. to me, you have to have a certain prick element to
get over in this business. people would always say to me, "scott levy,
raven, i don't like him." i said, "that's why it works, that's why he
has heat. because he's not real likable." i love him. i love him. i
think the fact that they've bastardized his character in the last
couple of months has drove me crazy. he is one of the few. he's iconic
to a different degree than most of the people are. okay, if i took over
the book over next week, next pay-per-view it's a hardcore match,
dustin (rhodes) vs. raven, best of luck. raven splits you f--in' open
and beats you to death with a trash can lid. that's what that angle
needs. raven is a guy who was with me back in the day. we went up and
down the road together. he loves the business. there's few guys who
love it as much as scotty does. to me, it's one of those deals where
you look at it and say, "scotty, i've been to mount olympus and you
stood next to me; you were there. you didn't have to be there, you
didn't have to have a belt on you. when i look at our era of guys,
you're there."
keller: he calls himself the last of the true territory guys.
nash: and he was. i watched ecw because of him. to me, people can say
what they want to about ecw, but there were never greater finishes than
on their tv. i mean, they were so multi-layered, they were like the
japan finishes, but with an american twist. they were great. i'd love
it because a guy would get chopped like with a 25-automatic, hit with a
dinosaur, kick out, kick out, caught on fire, kick out, and then
schoolboy, 1-2-3. it was classic. you'd be at home going, "ohh, that
ain't it! ohh, that ain't it!? what? that's it? schoolboy? f--, you got
me!" you can say what you want to about paul e., but his sh-- was as
innovative and as important to that genesis as the nwo and austin and
mcmahon was. those were the three synergies that kind of pushed the
platelets together and formed this giant volcano that became pro
wrestling and then basically exploded in '99 and died. all those
factors were huge in doing so.
keller: people first started noticing you when you were doing the radio
show in atlanta with jim ross as vinnie vegas. that was your chance to
kind of show your personality and wit because oz didn't do it, master
blaster didn't do it. did you know that you were onto something then or
were you just having fun?
nash: jim would have me on and the thing was, i've been able to get ass
just by making girls laugh. i mean, that was always my thing, wow, the
big funny guy. that was kind of my deal. i've been the class clown
since i was six years old. my son comes home and says he got in
trouble. he had the whole class laughing and he's crackin' jokes, and
i'm like, the apple doesn't fall far from the tree. my son's comedic
timing is great. there are times he'll have me belly laughing. he's
eight years old and he'll have my belly laugh. to me, i've always said,
and not to be redundant because it's been quoted a million times, but i
can't remember a time in my life i was laughing and having a bad time.
ross and i always had a good relationship.
keller: getting ross to laugh was a challenge for you.
nash: yes, and i could get him to laugh. the thing was, i would badger
guys who were higher up on the food chain than i was. i wasn't afraid
to make fun of guys.
keller: you were saying things he was thinking, but could never say.
nash: he realized i didn't care. how can i care? i was getting beat
every night. what were they going to do to me? beat me more? you can't
beat me more than every night. i remember when griz (grizzly smith)
came up to me night and said, "i want you to go over on (brian) pillman
tonight. what's your finish?" i said, "f---in' lay on my back. i don't
know. what is it?" (laughs) i didn't have a finish. he said, "how about
a running shoulder block." i said, "how do you do it?" i didn't know
what he was talking about. i hadn't won a match since i got there.
wade keller: when you first started getting attention as vinnie vegas,
did you start feeling a little more comfortable in the ring at that
point, or was your confidence shot that you were going to be a big
jobber forever?
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01-10-2006, 11:15 pm
#7
lion heart
hammer (strength) time
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nash: i actually had a decent match on a ppv with (van) hammer. do you
remember that? i had a decent match and the thing was we were going
around on the b-towns. the a-towns were doing their thing, and at the
b-towns it was the hollywood blondes, pillman & austin, versus shane
(douglas) and (rick) steamboat. me vs. hammer was semi-main. so we're
doing like 20, 25 minutes a night. there were only six matches on the
card, so we really had to put time in. people can say what they want to
about mark (hammer), but we actually worked a decent match. we were
able to go 20 minutes and actually get some false finishes and actually
have the people's attention. i was travelling with austin and brian and
(bill) dundee. we were driving up and down the road together. austin
always had incredible insight. brian had incredible insight. but dundee
was one of those few memphis guys who actually would share the f---in'
knowledge. a guy like (jerry) lawler would say, "you gotta learn on
your own, kid." okay, f-- it, i'm gonna be stiffin' you, mother
f---er." dundee shared the knowledge. i remember, and i want to say
this because i want it to be in print somewhere, when i first broke in,
my first match was working against tim horton and mike rotunda. i went
out, me and my first partner, cory pindarvis, that was before al
greene. the guy lasted a f---in' week as my master blaster partner. i
remember rotunda, my partner was stiffin' the f-- out of him and
hurting him. we had this laid out match that we did at the clash of the
champions. we went over it a hundred times with brad and tim at the
camp. so we get to canton, ohio, and it's tim and rotunda and we've got
nothing laid out, and this is back in the day when the locker rooms are
opposite sides of the building and you've got to send the referee back
and forth (to communicate the match finish). just bullsh--. come on.
"brother, it's a work, but we're not going to smarten each other up on
it." so the referee is running back and forth and they're f---ing with
us because we're getting a push and they're pissed because they're
putting us over, so they're not smartening us up. so all we get is the
finish. we have no spots or nothing. i get out there and it's, "oh,
f--, man!" so i locked up with f--in' mike and mike says, "can you
f---in' listen?" i said, "i think so." he said (really quickly and
quietly): "tackle dropdown." i said (really loudly and deliberately
sounding like the cookie monster), "i tackle you? who tackles who!" he
said, "shut the f--- up!" then i realized i am a f---ing green horn.
every night mike would put a spot together with me and the spots would
grow night after night. we would have two spots, then three spots, then
four spots. by the fifth night in hammond, me and him had a nice little
exchange back and forth that mike taught me. the last night mike said,
"slam me, drop an elbow." i dropped this sh--y f---n' elbow that about
cut him in half. he went, "f--- that. meet me at centre stage on
tuesday." he met me there at 11 o'clock and i swear to god, mike
rotunda let me drop 200 elbows on him. you don't forget that sh-- in
your life. that's a guy who if his wife called me tomorrow and said
mike needs a kidney and our blood matches, wherever he needed it, boy,
i'd be there. there are a few of those guys.
when lex (luger) was making huge money and nobody else was making
money, lex always picked up the tabs at dinner. you never forget that.
lex always picked up the tabs. two hundred bucks at morton's. "i got it
guys, i got it." now when he needs a hand and needs a friend, nobody's
there for him. that's the sh-- that's f---ed up.
dallas's opening day was the oz gimmick. they had a problem with the
mic and he said, "aww, f--- this" on tv when diamond studd was just
scott hall.
keller: you had a number of people around you that you were learning
from. was there a feeling also that there were a lot of people around
who saw it as anything that you learned could hurt them?
nash: i knew when i came in the door that it was one of those deals
where there were people thinking there's this good looking guy with a
good body and he's bigger than i am, so f--- smartening him up. back
then, when you came to wcw, it was nepotism. dusty (rhodes) was booking
and he had his florida crew there.
keller: were you studying not just how to be a better wrestler, but
also the booking aspects of the business? was that something that
fascinated you and caught your interest early on or did that come
later?
nash: i would always watch a show and think, that finish was okay, but
if you would have done this it would have been better. early on i was a
pretty good finish guy. but i think that's because jody hamilton said
you can go 60 minutes and have the best match in the world, but you
f--- the finish up and the match will be the sh--s. he said you could
have a 60 minute stinker, but if the last three minutes have great
false finishes and a great finish, all the people will remember is the
false finishes and the finish and say you had a great match. i just
think god blessed me with jody hamilton. jody hamilton, if you look
back at it, if you watch tapes of him working (as the assassin), here
was a guy who was really basically able to give you facials with a mask
on. he would juice through the mask. if you can find some old tapes of
those guys, especially with the kentuckians, i've got a black and white
of those guys from camp belton, kentucky or someplace like that, it's
like a high school gym, and you can see the pain underneath the mask of
this guy and you can see his face underneath the mask. he was a
special, special cat. i was blessed that was the guy who broke me into
the business.
keller: if you could choose just one moment that was going to be
captured on the best of kevin nash dvd from that era, what would it be?
in the ring or out of the ring.
nash: honestly, if i had to have a moment, it's when they handed me
that f---in' oz costume. i picked up that dunce cap with the rubber
mask on it and i said to myself, "wow, they're really trying to f---
me." that was just one of those deals. hulk (hogan) couldn't get over
in this gimmick. it was a case of someone going: the big tough guy
wants to get in the business? f---in' survive this.
keller: the scary part is it wasn't meant to sabotage you because of
all the money they put into it. if they wanted to sabotage you, they
wouldn't have spent as much money on the entrance set.
nash: that's what i mean. there must have been a lot of good mushrooms
being passed around at that time. i don't know. i looked at it and i
knew the minute they looked at the costume.
keller: how did the process work that you ended up with the wwf?
nash: it's a great story. the steiners had just come up there in '93.
the first tv that the steiners went to was green bay where kevin kelly
said that vince mcmahon grabbed him and there was a whole f---in' deal
he was choking vince out. this is the steiners' first tv up there. i'm
robbie's (rick steiner) godfather for his first son, hudson. robbie
calls me and said, "f---, you wouldn't believe how crazy this place
it!" he lays out the whole f---n' deal. he added, "by the way, i talked
to shawn michaels. he digs your vinnie vegas gimmick. he thinks it's
funny. he'd like you to come in and be a bodyguard. so at that point i
was driving a lot with (barry) windham to and from towns. there was a
show at fort lindalwood at the army base and nobody showed up and we
got there early. me and barry drove from atlanta. it was an all-day
drive and barry and i drinking like crown royals and beers and sh--. we
got there and thought we shouldn't be drinking, but he's on top so i'm
going to drink. he was office, too, at the time. we get there and
there's nobody there but me and barry, so me and barry have to open the
show. barry says to me, "can you listen?" i said, "talk slow." we went
out there and had a really good match. barry was the first guy who got
out there and kind of worked my pace. instead of talking sh--, he asked
how's my wind, can you do this, do you know what i'm calling? windham
was so talented. remember how he used to enter the ring from the floor
where he'd pounce like a panther through the ropes? it was like one
solid movement - bam, he was in the ring. he was a six-foot-six, 275
pound guy. he was as good as anybody's ever been. if you were going to
do an outline form of big guys category, he and scott hall are in that
top list. i had been almost in the business for three years at this
point. i learned the "work" part of it and i just sat there one day.
we'd always drink and have a good time.
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01-10-2006, 11:17 pm
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we were going to dalton, georgia for tv and i didn't say anything the
whole way. new york (the wwf) at that time was the show. it was like
playing for the yankees. i said i had to get out of my contract, but i
have to do it without them knowing i want to go to new york. so i
didn't say anything the whole way up. he asked me, "what's wrong." i
said, "nothing." he said, "what's wrong." i said, "nothing." we got
about 200 miles into the trip and i said, "my wife's gonna leave me if
i don't get out of the business." he said, "f---, you gotta get out of
the business, man." he knew ole (anderson), who was booking (wcw) then.
i asked if he thought ole would let me out of my contract. he said,
"we'll do it on monday." so ole, of course, was glad to do it. at that
point i was vinnie vegas. he was eager to get rid of this mother f---er
who was making 125 grand a year and ain't doin' sh--. hell yeah, he was
ready to get rid of me. he couldn't sign my notice fast enough. he
signed it and i went in the back office and made a couple copies of it.
i went to my house and faxed it to j.j. (dillon, head of talent
relations in the wwf at the time). j.j. said, "we'll send you a ticket.
you're coming to albany, n.y." my first match was albany, n.y., i think
june 6. i f---ed over marty (jannetty) that night in a non-title match
and then i f---ed him at raw at the manhattan center and shawn got the
belt. i said to myself, i've been in this company two days and i've
meant more than i have in three years in the business elsewhere.
keller: even though shawn didn't know you, he just had seen you, after
the first time you two were on tv together, it was clear there was a
chemistry there.
nash: oh, yeah, absolutely. we bonded. number one, i thought he was
like 5-9. i walked into the locker room and turned around and said,
"hey, shawn, i'm kevin nash." he turned around and stood up and was
like six-one-a-half and he went (deep voice), "hey!" i'm like, what the
f---, that voice didn't just come out of you. you gottabme sh--in' me.
and we drove that night and i guess it's one of those deals where he
had watched my sh-- and i watched his sh-- and we drove back from
albany to stamford and it was, like, i was a fan of his stuff and he
actually liked my vinnie vegas stuff. he put my stuff over and we
became friends. it was an instant chemistry between us. and the thing
was, shawn ain't stupid. he knows who's going to mesh with him. he's
not going to pull just anybody in. they (wcw) were pissed when i showed
up on raw.
keller: you lied to get out of your deal, so of course they're upset.
nash: i think at the same time it was one of those deals where it's
(singing) "cat in the cradle where my son grew up just like me." i
remember one time, i think dusty was the booker. he told me you can't
get over. i said we have a match with (rick) steamboat tonight. me and
big sky against steamboat and shane douglas. i looked at him and said,
"how about i hit steamboat with my finish about 30 seconds in and we
win the tag belts. you think i'd get over then, mother f---er?" he
looked at me like, "okay, he's f---in' smart and he knows how it works.
he realizes it ain't nothing but a push." f--- you, man! you don't
think i know? i know, mother f---er. i've just been taking my money.
there wasn't a guy in his first three years in the business who made
more money. i probably made 350, 400 thousand dollars and probably
worked 29 shows. i just never worked. i made 125 grand when i was doing
oz and i worked about nine times that year.
keller: when you signed with the wwf, you signed for actually less than
your wcw guarantee, obviously.
nash: back then when you signed with the wwf, the deal was you were
guaranteed ten shows at 150 dollars a show. you were guaranteed fifteen
hundred dollars. that was your guarantee with new york. i remember i
went to vince (mcmahon)'s house straight off the airplane before i went
to albany. marco the limo driver drove me to vince's house. i knocked
on the door. vince came out with an icopro cut-off grey sweat shirt on
and f---in' black sweat pants and to me, i'm looking at steinbrenner.
say what you will about vince mcmahon - i love the mother f---er. he's
a man's man. he shook my hand, looked me in the eye, and said, "come on
in! this is j.j., this is pat (patterson) and you probably heard he's
gay. he is." he just laid the sh-- out in black and white. this is what
we expect out of you. i walked into the door and he said, "you're a lot
bigger than i thought you'd be. that's a good thing. you're a good
looking guy. we can make some money with you." he said, "get back into
the car, get to albany, we got sh-- laid out, and we're going to make
you a f---in' star." i called my wife when i got to albany that night.
this was back in the day when it was pagers. i called my wife on the
pay phone at the building and said, "i met vince mcmahon tonight." she
said, "really, how was he?" i said, "he was nice as f--- to me. he told
me i'm going to get over." and he did. i don't care what anybody says.
if it wasn't for vince mcmahon, i wouldn't be sitting out looking at
the ocean right now when i'm talking to you.
keller: what did you make your first year in the wwf?
nash: probably around two-ish.
keller: minus road expenses, which wcw covered, right?
nash: i really don't know. my wife was a school teacher at the time. we
were just living modestly. i bet my net for the year was probably 30. i
met up with scott and shawn and we triple-heeled every night. we'd
rock, paper, scissors for the rollaway. we would stay at super 8s. we
were probably spending 40 three-ways on a room and 59 on a lincoln back
then three ways. we were eatin' tuna and denny's. me and (steve) austin
travelled together in wcw. i learned from him. austin and i, it was an
ongoing rib where we'd go into a town and all the top guys, arn and the
horsemen and stuff, they'd have these marriot towels. me and austin had
what looked like a paper towel from a gas station. they'd ask where we
were stayin'. roger's christmas tree inn. we got 19.40 for the rate.
f---, we didn't give a sh--
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01-10-2006, 11:18 pm
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end of part 1
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01-11-2006, 12:30 am
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01-11-2006, 09:47 pm
#11
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part ii
what are you going to do? you're just stayin' the night there.
keller: austin learned that because he starved his first few years in
the business in memphis and texas.
nash: right, and you know what, to this day, steve is the same guy.
when me and steve were doing the "longest yard" (movie last year), we
have a hundred dollar per day per diem, and we never spent above that
hundred bucks. we went and had sushi that night after we shot all day,
it'd be like, "what's that gonna cost us?" they'd say 137. "all right,
that'll work." i mean, that's the thing about steve. the reason that
character worked so well as an everyman character is because that's
f---in' steve. i talk to steve at least once, if not twice a week.
anytime that the world gets me kind of off kilter, i think we call each
other for reality checks. he just wants to hear from his buddy. he
knows i'm sitting here spending 30 bucks a day. he knows i hoard my
money like he does. i don't spend money. there's no reason to spend
money. i'm still driving a 1993 bronco that i bought with my '93
summerslam check. i mean, that's just me. i don't give a f---. i'm not
out for anything in life. if i get out of a car and you judge me by
what i drive or what i wear, i don't want to be your friend anyway. i'm
a real simple guy. i'm a cut off sweat pants, tank top, sweat pants
guy.
wade keller: you immediately befriended shawn michaels when you got to
the wwf. when did you then get close to sean waltman and scott hall?
also, were there any other people who you hung out with for a while,
but didn't stick and become part of your group of friends, later dubbed
the clique?
kevin nash: scott and i actually hooked up in wcw. it was one of those,
like, big guy things, you know. they booked me and scott to tag
together against guys like big josh and someone else. josh dropped us
both on our heads on the belly-to-back suplex. we rolled out of the
ring and said, "screw this," and just walked to the back (laughs). it
was really funny. the first time me and scott travelled together, we
went to macon. he said, "let's get some beer." so we're driving, we're
talking and sh--. i'm thinking he's a cool dude. he was messing with
the radio knob, and then as he was screwing with the stereo, he kind of
brushed his hand on my leg. i thought that was kind of weird. then he
did it a second time, but a little bit longer. i thought, oh, f---,
this dude's a f--. i slowed the card down and told him, "if you touch
me again, i'm going to knock you out." he laughed and said, "i was just
f--ing with you." and that was like our introduction to each other. if
you know scotty, he's a rib guy. he was just ribbing with me. he was
just seeing how long it would go. about 40 seconds into it, i was ready
to fight. i said this isn't going to work. he said, "no, we're cool,
we're cool."
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01-11-2006, 09:48 pm
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so scott and i were friends before we left (wcw). when he went up
there, when i first saw the razor ramon character get over, i was so
proud of him. we talked a little bit. then when i came up there, he
welcomed me to the show. he and sean (waltman) were travelling
together. then shortly after that, they started working together. the
three of us basically travelled together with the towels over our heads
as we left the buildings. that was such a period for us that was like a
blank canvas and three artists. i basically went out every night and
had the best position in the world. i had shawn michaels versus scott
hall and i was on the apron. the thing was, shawn said instead of doing
like every other bodyguard does, when you do something, it changes the
course of the match. so we did a lot of spots where scott would roll
out, and i'd stalk him, and earl (hebner) would slide through and stop
me. so we put the ref over. then that one time when i finally got to
scott who was behind the ref's back, the heat was immense and their
psychology was precise and they knew it - but as time went on, shawn
realized, f---, he's getting all of the heat. night in, night out, kev
gets the heat. he was fine with it because he got it residually. fans
would spit hawkers on us. shawn realized we were starting to create
money heat. we worked, the three of us, in some form or fashion for
basically the whole course of the time we were there. when we
travelled, it was like we'd listen to music and drink beers. you
couldn't smoke pot or anything back then because of the drug policy. so
you could drink booze and take pills, that's all you could do. but we
would talk f---in' business from the minute we got up in the morning to
the gym to the tanning bed to the building and after the building at
denny's. we were talking business, highspots, and finishes. we were
refining our craft 24 hours a day. there was a love for the business.
my wife would be livid because i'd be on the road for 21 days and come
home and talk highspots for three days on the phone with these guys.
"f---ing uncle, man, you've got to be kidding me," she'd say. but when
this business grinds into your bones like that and you fall in love
with it, it becomes your mistress. people ask me, who's your mistress.
i say this business is my mistress. the funny thing is just as i don't
think i love it anymore, then i have this match with jeff jarrett. even
though it's 1,500 people, at those precise moments that we want the
people to do something, and they do it, you realize it's not about
anything but the fact that you can still pull people's chain when you
want to pull people's chain. it's the psychology. that's the beauty of
this business. i can make your forget it was fake for 30 seconds.
that's the beauty of what we do. it's copperfield making the statue of
liberty disappear.
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01-11-2006, 09:49 pm
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keller: what stood out when you first got to the wwf that made it
different from wcw?
nash: the thing was, it was a wrestling company. it was a company that
all they did was wrestling. it was the yankees. that's exactly what it
was. you were in a pro wrestling company. they knew how to market it,
how to shoot it. how to book it, everything. vince used to have - we
used to call it the pencil - a book that was textured like an nfl
football and he'd open the book and it was like the holy grail. this is
like june '93 and vince was like (imitating vince): "well, summerslam
'96..." (laughs). back in the day, it was a different deal. it was such
longterm planning because at that time there were four pay-per-views.
my first year was when the first year king of the ring was added to
make it five.
keller: and a big main event on tv at the time was duke droese vs.
phineous godwin.
nash: if you had bret hart working a title match on tv, it was once
every eight months. it was a jobber match. all the superstar and
challenge matches (on syndicated tv) were squashes against guys who
couldn't work and you'd just beat the dog f--- out of 'em. everything
in the business was so different. and it was an hour. i remember when i
was writing television for wcw, we had three hours of nitro and two
hours of thunder. next week's thunder was taped on the same day as this
week's thunder was. so you had to write a monday nitro for three hours,
you had to write four hours of thunder, but you had write the monday
night show because it had to fit in between the two thunders to make it
work. so you had to basically write ten hours of tv in three days.
keller: i think that's the number one reason things fell apart now
matter who had control of the booking.
nash: thunder killed it. thunder was the sh--s and when they went to
three hours on monday, it was the sh--s.
keller: it just spread everything too thin. if everything was great and
there were no problems and every character stayed hot and a brand new
star came along every six months, you might have been able to keep up
five hours, but five hours never worked and burned everyone out.
nash: immediately it diminished the product. but it's one of those
deals (tbs) threw whatever it was, 40 million dollars at eric
(bischoff) budget-wise and it was hard to say no. he said, "f--- it, i
can sign more guys." we were friends with eric, so once we found out
more money was coming, we asked for raises. he said, "well, i guess you
can."
keller: that's where vince (mcmahon) is smart with the brand split
while doing two weekly two-hour shows.
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01-11-2006, 09:50 pm
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nash: absolutely.
keller: when you won the ic title for the first time, was that the peak
of your career at that point? did that mean a lot to you?
nash: god, it was rochester, new york or syracuse. they're both the
same type of town in my brain. we did the limo drive out. there was a
strip joint. it was rochester. the sign used to say, "25 good looking
girls and 2 ugly ones and warm beer." that was the strip joint on the
right hand side by the super 8 where we were staying at. we stopped and
had a couple of beers at the strip joint and went to the room. this was
back when the belt went in your bag. you took the belt with you. i went
back to my room and i was going to air my gear out like you do every
night. i took my knee braces and knee pads and everything else out. my
belt was at the bottom. i took the belt out. and i remember sitting on
the bed at the sh--y hotel by myself and just looking at this belt and
thinking, f--- man, i'm the wwf intercontinental champion. i've made
it. if i get hit by a bullet, bolt of lightning, anything happens to
me, as far as this business is concerned, when i got into it, this is
more than i thought i would ever accomplish.
keller: and to win it and lose it from scott made it special, too.
nash: absolutely. and the thing was, we went in. i remember the day we
laid the match out. vince asked, "what do you guys got?" we went
through that match nine-hundred times. vince looked at us and smiled. i
remember one time when we were somewhere up in canada and vince came in
and said, "a lot of guys are saying if this clique continues to go on,
they're going to f---in' quit. i need to ask you guys one question."
we're like, "yeah?" he said, "how do i get in?" we said, "f---, you're
in, you love the business." he said, "yeah, f--- them!" that was the
whole thing. vince knew we lived, died, breathed it. the business is
what we wanted at that point in our lives. i know the first time i
worked madison square garden in '93, the house was 86,000 dollars. the
last night i worked three years later against shawn (michaels) in the
cage in the main event, it was sold out it to with 309,000 dollars. it
was the largest house we had ever had there that was non-pay-per-view.
people will say throughout my career that i never drew a dime. you know
what, f--- you. you know what, we put asses in the seats. and you want
to give it to shawn only, fine. you can give it to shawn as long as he
drew because some say he never drew. but somebody drew that f---ing
night. you know?
keller: when did you cross paths with bret hart during this first wwf
run, and what was your opinion of his in-ring style compared to others
you had worked with. did you respect him right away?
nash: bret was real different. he was real quiet. bret had his
psychology, but the thing is, i had great matches with bret hart. bret
hart looked at things in comic book form, he looked at things in almost
a movie form, like there was a first, second, and third stage of
everything he did, then there was the finish. so if you worked twenty
minutes with him, you basically had five minute segments. the first
time i worked with him, i dropped the belt to him in washington d.c. at
the cap center. when i dropped it to him that night, i didn't give a
f-- (about losing the title) because i knew the match was going to be
so good. we used a chair, which we hadn't used forever. i pushed him
off of the apron. he went through a table, which was i think the first
time anybody went through the scorer's table. bret was really
innovative and bret's sh-- was solid. he'd hammer you out there. his
psychology was good. there was never a night where i went out there
with bret that i felt we even had to talk. we could look at each other
in the locker room and nod and call it in the ring. to me that's the
greatest feeling out there, to go out there with a guy who can work
without a net. when i came back off of my quad injury and i was put
against triple h, f---, working against paul (levesque) every night,
ohhh! i could go out to the ring, lock up, and ask him how long are we
going tonight. there's no reason to plan it out. it makes life so
simple because the only time you have to think about wrestling is the
20 minutes you're out there in the ring.
wade keller: the comparisons will be made forever between bret hart and
shawn michaels. you've worked with both. if somebody were going to make
a case for why bret was better than shawn, what would the number one
reason be? and then what is the number one reason shawn is better than
bret?
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01-11-2006, 09:51 pm
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kevin nash: to me shawn michaels is (michael) jordan. he is jordan. he
is in a different class. shawn was a much, much, much better athlete
than bret was. so take that equation out. it's kind of like saying who
was better, magic (johnson) or (larry) bird. that's kind of what you've
got when you come down to it. magic was the better athlete. bird won
more. i personally think that shawn is the greatest as far as people
i've touched. when you touched him, it was like... it was in the
turnbuckle and you threw him and you kind of said, "hey, do that thing
you do," and he just kind of made you. you'd send him off and he'd do
some crazy flip over and land in the fourth row thing and people would
go ohh-ahh. shawn had that ability, and bret didn't have that ability.
but at the same time, bret was artistic, he had his psychology, his
love for the business, and his love for his gimmick and his devotion to
the hitman. there was a devotion and a clarity to the character and
there was no diversion from that. you wrestled the hitman, you didn't
wrestle bret hart. shawn was a lot more pliable as far as
character-wise, and i think the hitman was probably a stronger
personality in the ring. i loved working with bret. i mean, if i had to
pick five of my best matches, bret would be one of them. that one when
i dropped the belt to him, that was it. the next night in norfolk, we
told vince we can't work because we beat the f--- out of each other and
gave it all last night, there's nothing left.
keller: how surprised were you when you found out you'd be getting the
quick title win over bob backlund right after backlund beat bret?
nash: it's funny because we were over in europe. it was one of those
deals back then you could go to europe for 21, 23 days in a row. me and
shawn and scott had drunk all night long and basically drank onto the
bus that next day and we got to like hamburg or someplace and we were
hammered. i mean, we were hammered. we worked the match. i worked
against fatu that night. it stank because i was hammered. i got out of
the ring and one of the agents told me i had to call vince asap. i
said, "aw, f---!" (laughs) i thought i was going to get fired for
getting all f---ed up. he told me to come out to the house on friday
after i got back (to the states). i'm thinking i'm in big trouble. so i
went out to the house and he starts laying sh-- out, blah blah blah,
and then goes, "and then we're giving you the strap." i said, "i've got
the strap." he said, "no, i'm talking about the world strap." i just
sat there for a minute and thought, "did he just say that i'm going to
be the world champion?" i thought maybe it was a work. so i did the
no-sell and said (calmly), "okay, that'll work." as soon as we finished
our conversation, i got back to my hotel and called my wife and i said,
"you're not going to believe this. in november, i'm going to go over
backlund for the belt in the garden on a house show!"
keller: how far in advance were you told this?
nash: this was probably june, july.
keller: so he knew that long ahead what he was going to do?
nash: that's the thing about the business back then, you knew way
ahead.
keller: so backlund was going to get the iron sheik treatment all
along. he was the transition guy.
nash: yeah, he was the transition guy, but at the same time, he had
some really decent heat.
keller: he was strange, but in a way where you couldn't really turn
away.
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01-11-2006, 09:52 pm
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nash: right, exactly.
keller: any backstage stories about backlund? did he act nuts off
camera?
nash: i remember one time he was staying in europe in the room next to
me. i heard this banging against the wall all night and i was thinking,
"wow, somebody's getting their groove on." it was about five o'clock in
the morning, it woke me up. so i looked on the list, because back then
they used to have a list. i said, "f---in' backlund?!?!" so we got on
the bus and i asked bob, "what were you doing this morning?" he said,
"arghh. i was doing step-ups on a chair in my room." i was like, "okay,
that makes sense!" (laughs) nobody could go that long having sex. he
went two hours doing step-ups. i remember working with him when we did
a rematch in sacramento. he grabbed me and said, "piledriver!" i said,
"what?" he just snatched me. he was so strong. i had never been
piledriven in my life. i was on the ground before i knew what was
happening. i was thinking to myself, f---, i'm 300 pounds and this
mother f---er just picked me up and piledrived me and i didn't have
nothin' to say about it. i couldn't say, "wait a minute. whoa! stop!"
he was that f---in' strong. i remember he gave shawn an ass bump one
night on raw, i think we were in poughkepsie or white plains, one of
the two, and kamala was involved in the match. he gave shawn an ass
bump, and he was so strong he about threw shawn on his head over his
back because shawn went up so easy and backlund was so strong. i
remember sitting on the apron on the floor watching and thinking, whoa,
man, this guy has some incredible innate strength, that ability to do
200 dips. bob took my finish that night. bob crawled to the back of the
garden. he sold his back the whole way. he crawled up the aisleway. he
couldn't have put me over any stronger. and once again, it's another
guy, who went that extra... that night, when they sent me out for the
second time at the garden, he pulled me aside and he goes, "take your
time, make 'em love you. start the love affair with them. this is what
you're going to need to get over." it was strange because you always
hear the backlund stories how it was almost a rib that they made him a
champion. here's a guy that actually got it. they put him in that
position and he got over to spite them, f--- them, and here's how you
do it. he didn't have an attitude that the young kid was getting the
belt. it was a nice experience.
keller: do you think bret was at all upset with the transition of the
title at the time?
nash: he was very upset. he came to me when he heard about it in
europe. he came to me and asked if i thought he wasn't doing a good job
with the belt. i said, "you know, no man, i think you're a great
champion. but, bret, with that belt comes money. what do you want me to
say for my family standpoint? no, i don't want the belt? come on, if
the boss wants me to have the belt, i'm gonna take the belt. if you
have a problem with it, take it up with him."
keller: did he expect you to say you didn't want the belt?
nash: i think he did! it's almost as if he was saying, "you don't love
it as much as i do." i said, "bullsh--. i do, i do. bret, maybe i
haven't been in it as long as you, but i have that same affection for
the strap as you because quite frankly because i love wealth as much as
you do." but bret and i had always had a really good relationship. i
was glad i wasn't there when everything else transpired because that
would have tarnished my relationship with him because i would have been
lumped in. i heard that we were supposedly a part of it from atlanta,
that we actually were in on it, like we satellited in some kind of
mojo. just because we were the clique, they thought there was no way
those pricks weren't in on it from atlanta. (laughs)
keller: today looking back at it, did bret make too big of a deal out
of it and vince was totally within his right? was it just two powerful
people butting heads and the most powerful guy won? or was vince trying
to screw bret to get at him or bischoff?
nash: i always say this. when i watch the tape back, i always say to
myself it's a f---in' work. there's no f---in' way that vince mcmahon
would ever walk out of a room f---' selling. i've always said that as
long as i live, to this day i will say, "it was a f---ing work!" i saw
vince mcmahon with the federal government up his ass, with neck surgery
walking to white plains and basically doing a f---in' gregory hines
tapdance through a television when everybody was wondering, "are we
getting shut down?" and vince looked at us and did mr. bojangles and
said, "no."
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01-11-2006, 09:53 pm
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keller: let me throw this out there then. he did it, it was a shoot,
and part of him felt terrible about it, and when he got backstage, as
he says, he felt bret deserved a chance to confront him over it, and
when he did, he wanted the world to know what happened. he chose that
moment to show vulnerability out of guilt for what was a shoot.
nash: (pause) i don't know. there's no weakness in that man. i mean, if
he wanted to show that, then it was a work in him showing that. he
showed it out of the fact that maybe he knew it was a bad deal. you
will never, ever, ever see vince show weakness. the closest i ever got
was when i stood in paul's (triple h) wedding and watched his daughter
marry paul. i watched vince kind of sell a little that his daughter was
moving on in life. vince and i had some good moments during that,
because he knew of the tightness between paul and i. but vince tore
both of his quads. do you think he's selling anywhere? he ain't selling
sh--.
keller: do you think shawn michaels, in the position he was in, did
what he had to do and handled it the right way?
nash: god, that's such a rough call because it's one of those deals -
when i was vince's boy in new york, if jack ruby would have come up, i
would have taken the bullet. that's just the way you feel for the man.
there's a love for him because he loves you and you love him back. he's
a man's man. anybody who doesn't like vince mcmahon... austin and him
have butted heads for years and years and years, but steve loves that
man. i love vince mcmahon. i can say whatever i want to about him
because i went through times with him, but i won't let nobody badmouth
him.
keller: terry taylor after he got fired said that he loved him. vince
russo after everything they went through says he loves him. a lot of
people have that affection for him who have worked really closely with
him.
nash: vince is a man. you respect his power. in a world of alpha-males,
he's on top of the mountain. if anything, there's a jealousy factor
that people have because he's a billionaire and he runs the business i
love and he calls the shots. that's why i always said to bischoff,
"f---, you beat the man for two years. there ain't a f---ing human
being on this planet, mars, jupiter, saturn, anywhere that can say they
beat the man for two years. i would have that on my gravestone. "here
lies beloved father, husband, blah blah blah, and by the way i beat
mcmahon for 92 weeks" or whatever. eric, that was huge! that's the
whole thing where i think it's so important for us to try to get tna
going because if there is a viable commodity to go against vince,
anything, he'll just become better.
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01-11-2006, 09:54 pm
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end of part ii
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01-12-2006, 09:59 am
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good stuff! keep it coming...
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01-12-2006, 10:04 pm
#20
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keller: when hulk hogan signed with wcw, did that reverberate within
the wwf locker room that hulk hogan, wwf american pie, is now with the
competition? how did that shake out with the top guys?
nash: you know, at that point we were so cocky. the thing is, i didn't
have a long enough time to spend with hulk during that first run. he
was there only a couple of months and he was gone. it was one of those
deals, you don't realize in this business, there's hulk hogan and then
there's wrestling. you don't realize it. i remember when the nwo took
off and we did all of our sh--. we did those black and white things.
the original thing was, me and scott did some soundbites and hogan went
45 minutes nonstop. me and scott went holy f---! this guy is the great
white. he's jaws. he will eat you alive if you're not prepared. don't
come into his domain. at the same time, we gave him no respect. i
remember hulk saying to me in the back of the plane once, "my whole
career, all people have wanted to do was sit there and eat from the
hogan apple tree and let the golden apples fall into their hands. hall
and nash come along and they want to take a chainsaw, cut the tree
down, and take all the apples. you guys are too much." sure, we didn't
appreciate what he was, but at the same time, when we went back to new
york, it was a completely different thing. when we went back to new
york as the nwo, it was like the three of us versus the world. that
night when he stood toe-to-toe against the rock and the crowd went
"hogan," i bonered out so bad because i learned the hard way that hogan
is the f---in' man. there's hulk hogan and then there's everybody else.
i will say it to this day. when it comes to pro wrestling, there's hulk
hogan and then there's the next guy.
keller: and steve austin's the next guy?
nash: i think so.
keller: is that a big gap?
nash: i think it's different. steve's run was as iconic as hulk's.
hulk's career is just so much longer. it's like there's babe ruth, and
then there's barry bonds. i think that hulk is babe ruth. i still think
to this day that bonds is probably the greatest baseball player that's
ever played baseball, but he's still not babe ruth. so, that's kind of
the way i equate it. steve, god, when we (in wcw) were kicking their
ass and steve started getting going, i was steve's friend. i would go
to the truck and try to watch his sh-- (on raw) because it was so
f---ing good.
keller: you were watching this, and nitro was still winning the ratings
by a point or a point and a half, but you're watching it knowing this
is without question way better than anything else right now.
nash: the thing was, too, i told eric (bischoff) that when they did the
wrestlemania and they brought (mike) tyson in and every match had a
movie quality trailer that told the story from the last six or eight
weeks of what the match was because vince knew nobody was watching the
show. i mean, that's when kane was shooting lightning bolts out of his
hands and catching people on fire. i watched that from my house that
night and i called eric up late after the show ended and i said, "dude,
we're in f---ing trouble." he said, "awwww, f--- that." i said, "watch
wrestlemania. we're f---ed." kevin sullivan said [nash imitating
sullivan]: "brothah. do you feel the wah-der? it's getting cold. it
means we're about to hit an iceberg." sullivan knew. are you not
watching the competition? we're about to f---in' sink. we're f---ed.
these guys are off and running.
keller: you didn't get that feeling at all when hogan signed with wcw
the first time and you were still with the wwf? you said you were
really cocky at that point?
nash: we were the new generation. we thought we had reinvented the
wheel. we were the clique. we were the strongest thing in the business.
nobody told us what to do.
keller: and you knew what you knew about wcw and thought hulk alone
couldn't fix that mess.
nash: i didn't know how committed hulk was going to be. i thought he
was going to take a payday. he was doing that thunder in paradise show
at the time, which was right down there. i figured he was just getting
another huge payday off these marks. it was a different hulk. i thought
he just thought the marks bought into hulk, which was good for us.
anytime somebody is making money, they set that bar higher. when the
bar is set at eight million, you can say he's doing a 2.0 and we're
doing a 3.0, how about giving us more money.
wade keller: talk about getting to know triple h.
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01-12-2006, 10:05 pm
#21
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kevin nash: on saturdays we'd watch the saturday show from our hotel
rooms. he was terra rizing (on wcw). he was me and scott's favorite
guy. so he comes to our tv. we were in, like, worcester, mass. and
scott said, "did you see who was here?" i said, "no." he said , "terra
rizing." i said, "you're sh--ing me?" so scott was walking down the
hallway step for step right behind him. hunter stopped and scott bumped
into him. it was kind of an awkward thing because scott was kind of
f---ing with him. so then we sat there and he had his tryout match. it
was halfway through it and scott looked at me with that look that said,
"f---in' this dude's money." he got hired. we went right to vince. it
was me, scott, and shawn (michaels). we said is he good or what? vince
said, "yeah, he's real good." we grabbed 'em the next road trip. the
first road trip we had, he travelled with walter ("killer" kowalski).
he felt compelled to do that. the next road trip we told him, "you're
with us." i know he was thinking, "f---, i don't know if i want to
travel with (sean) waltman, michaels, hall, and nash. i don't know if i
want to travel with the clique." i said, "you are travelling with us.
we need someone who can drive us!" (laughs) we needed a designated
driver who was clean and he jumped in and it was the same thing. here
was another guy who loved the business like nobody else. it was so
great. it's great to watch him now. it's like, there are other guys who
grew up with our psychology and our philosophy and just took it to
another level.
keller: during the same time, were stephanie or shane mcmahon around
much?
nash: not much at all. i'll tell you a funny story. stephanie came to
chicago for summerslam, i think. i knew it was vince's daughter. i
wanted to go out to the blues club. i talked to her and told her my
plans. she said, "all right, i'll go with you." i took vince's daughter
out to a blues club in chicago. shane (mcmahon) found out that i took
his sister to a blues club and he came looking for me. i'm sure he
went, "you've got to be sh--in' me. nash has got my little sister." she
was like 20 or 21 years old then. he walked to the blues club and came
up to me with that look on him that he was about to throw a punch at
me. i told him to sit down and have a beer. that was the first time i
ever spent any time with steph. at the time she was going to boston
college or something. i've always really liked her. she really has an
aptitude for the business. her biggest problem is the people around
her. i don't think the people around here are best for her. stephanie
knows a great idea, she can create one, but she needs somebody - you
can't have people around you who haven't drawn money. i don't think you
can have somebody from the drew carey show write for wrestling.
keller: i think you have to have lived it as a fan or a wrestler to
some degree to understand what it takes to sell tickets. i think one of
the detriments to stephanie is that she didn't grow up a fan who needed
to be talked into buying a ticket, so she never knew first-hand what
would have made her buy a wrestling ticket. she was born into the
business instead.
nash: right. there's a huge thing to that. i'm curious with
wrestlemania coming up how the batista-hunter match is going to come
down. i'm really curious what the finish will be. i won't ask on
(shawn) michaels vs. (kurt) angle. those are the only two reasons that
i will buy that pay-per-vew. there is not another thing on the card
that means a sh-- to me. so, i'm wondering how hunter's going to drop
it because you know he's going to because he has to. and i'm wondering
what the finish is to shawn and angle. i won't ask because it'll ruin
the show for me. i look at what they've got and i say, "that's all
they've got."
keller: you mentioned earlier that other wrestlers were upset with the
clique. how much influence did you really have with vince? you attended
production and booking meetings. do you ever look back and said, "yeah,
we might have abused that power," or do you look back and think that
whatever influence you did have, you always had the betterment of the
wwf in mind?
nash: i know we did. we sat in a meeting and we said uncle at one
point. he came to columbus, ohio. he came with pat (patterson ). they
came immediately and we say, "this isn't working. we have some things
we need to run down." this was when bam bam (bigelow), (ted) dibiase,
and a couple of other guys gave vince an ultimatum: break up the clique
or we leave. i remember sitting that night or that afternoon in a room.
hunter asked if he should stay. i said, "dude, you need to be in the
room. you're going to get the heat anyway. you might as well be in here
and get the lesson with the heat." i remember bam bam's name coming up
and everybody going, "hey, i think he's a f---in' douche bag, but he
can play on my team any day of the year." we never made it personal. if
you could go, you could go. that's all we worried about. if you could
go, if you could carry the ball, then you could be on the team. but if
you were a piece of sh-- and you had a bad attitude and you couldn't
work, then we didn't want you around.
keller: name a wrestler who got a bigger push who wasn't a friend of
yours because of your group's influence with vince?
nash: i think bam bam got a bigger push out of that meeting. they
started using him a lot more.
keller: is there anyone who got less of a push because of you guys.
nash: no. never.
keller: from vince's perspective, what made you guys so valuable that
he risked locker room mutiny to an extent by letting you guys in a room
and kind of separating you from the rest of them?
nash: i think it was a situation where when it came down to it, vince
could probably get anybody else. say we had 60 guys, of any of the
other 55 guys, he could get them in a room and basically say, "okay,
honestly now, you're really not his friend are you?" we had five guys
who took a pact that we weren't gonna ever turn against each other.
there was such strength in those numbers, especially in the business at
that time. we were the first guys who worked with each other who called
each other up and said, "what'd you get for a payday?"
keller: a lot of people don't realize that wrestlers have almost always
kept their pay secret, and it worked out to the advantage of the
promoters.
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01-12-2006, 10:06 pm
#22
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nash: i remember when we did survivor series in san antonio and shawn
michaels stood on the apron all night and me and scott basically worked
the whole match, and we called up shawn and asked what he got. he got
75 (thousand). we went, f---, we got 50, and he did nothing but a
superkick. we called j.j. and said, "what the f--- is that?!" he said,
"it must be a misunderstanding. hold on." we got another 25 grand each.
it was one of those deals where they went, "oh, f---, these guys are
talking to each other, telling each other payoffs. we have no power on
these guys."
keller: how did you end up first heariing about the opportunity to jump
to wcw?
one time we were in the locker room. it was me and scott, we were
somewhere in virginia or west virginia. i think it was charleston, west
virginia. me and scott were in the show. scott said, "i'm not going to
redo my deal with vince. i'm not going to let it roll over." i said,
"oh, f---, that's not a good idea." he said, "all right, between me and
you, i've got this, this, and this with wcw. i have a deal memo done
with barry bloom. it's legit. it's cash money." so i said, "what! that
much!" so i talked to barry, and barry talked to them (wcw). i said i'd
be interested if they offered the same money for me. it was basically
double the money.
keller: you were making about $375 at the time and they were offering
$750, right?
nash: i made as diesel probably $750,000 that year, but i worked 300
days. we were talking 750 for 150 days. they were basically talking
double the money, first class air, rental cars paid for, hotels paid
for. so basically all you had to do was show up and get your food.
keller: and if you get injured, same money.
nash: right. and it went up each year - 750, 850, 950. nobody was
making 950 at that time but hulk. he was the only guy making over a
mill. the 750 offer was the wcw cap for everybody. we went in and got
over like we knew we would, then we renegotiated and we were the first
guys to make seven figures over five years.
keller: was there ever talk of shawn michaels jumping with you two,
also?
nash: never. he was never, ever going to leave. to him, i'm a yankee
and i'm never leaving the yankees. i think taker actually changed his
gimmick a little bit because he saw where the money was going. i think
taker knew that the dead guy character wasn't something he could take
with him to wcw. it was the wwf's intellectual property. i'm not sure,
i haven't talked to mark (callaway about it), but i think that's one
reason why he changed his character so much.
keller: because it gave him negotiating leverage he wouldn't have?
nash: it gave him the ability to go someplace else and be "mean mark"
or whatever he had to be again. at that point, i remember vince telling
me that when you walk out of this company, diesel dies. "you don't
understand, man," i said. then i pulled my license out and put my hand
over the name and said, "who's that? that's diesel right there? no,
it's kevin nash." (laughs) i tried to tell steve (austin) that when
steve left, when he didn't get the (rights to the) name stone cold.
"dude," i said, "the most important intellectual property that you have
is your face. if i'm sitting in the gym and you're on a f---in'
television commercial, i'll be like, 'that's stone cold steve
austin.' from a q-factor, i know who the f--- you are. i don't need
somebody to put something on the bottom that says it's stone cold steve
austin. you are stone cold steve austin.
keller: do you ever or have you ever looked back and wondered what
would have been if you had stayed?
nash: (deep breath, pause) to me, maybe the wrestling business wouldn't
have boomed like it did. i never, ever in my life have looked back. i
mean, out of high school, i got a call from magic johnson and he told
that he was going to michigan state and it would be a smart idea for me
to go to michigan state with him. he said we'd win a national
championship. "we've have you, me, and jay vincent. that's all we
need." i said, "no, man, i'm gonna go south." when i look back at it
now, i'd be wearing an ncaa championship ring every day of my life. but
you know, you can't look back in life. you can't do it. you've got to
look forward. to me, at this point in my life, i'm a 45, almost 46 year
old man, and i walk across the mall and some 18 year old kid threw up a
wolfpac sign and said nwo. i mean, f---in', i would never trade it for
a million years. it changed the landscape of pro wrestling. i mean, i
was part of a synergy that would probably never have been created.
there are a lot of people who say (the outsiders and nwo) was the
greatest angle of all time. i feel blessed to be a part of it. i feel
blessed to be able to throw some of my input into it. and i feel
blessed to be part of the wrestling world.
keller: how did you tell vince mcmahon that you were making that move,
and was it difficult on a personal level?
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01-12-2006, 10:07 pm
#23
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nash: oh, god, it was like telling your dad that you were not going to
his college or joining fraternity, saying instead, "i'm actually going
to join a sorority." i remember where it was. it was stockton,
california. they had offered me the money. i pulled them outside and
talked to him. i said, "i want to tell you this man-to-man. i laid it
out to him and told him what the contract was. if you match it, i'll
say in a f---n' heartbeat." he said, "i can't match that." he didn't
have that kind of money then. i asked if he understood. he said we're
family. "dude," i said. "i love you, man. but my f---in' wife was
seven-and-a-half months pregnant and i knew at that point i had a
little boy coming into this world. i knew that i could not f---in' work
300 dates a year with a child. i knew i had to cut my workload. to me,
it was god telling me something.
keller: the time couldn't have been better.
nash: no, it couldn't have. at the beginning especially my son was
born. i think i started june 6th with them. i think - no, i know my son
was born june 12th. i worked june 6th, and june 12th my son was born. i
went to tv the next day and it was like just mondays. back then we'd
show up on a portal for a show. they'd play our music, we'd show up,
and we'd retreat. we did that for six or seven weeks. f--, man, i was
getting a check for 50 or 60 grand or whatever it was every two weeks
and i'm not even taking a bump.
keller: and you're not worried about what the gate is to determine your
paycheck.
nash: exactly. and i'm not wondering if they're skimming off the top.
when zane (breslof), god rest his soul, was leaving (the wwf) and we
walked into phoenix, you know it's a 160, 170 thousand dollar house and
he said it was 100. you're going what? he was leaving and taking the
cash with him. there were too many intangibles (to consider turning it
down). to me, guaranteed money is a no-brainer.
end of part iii
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01-12-2006, 10:15 pm
#24
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very good torch talk wade did with nash. just keep it coming.
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01-12-2006, 10:19 pm
#25
lion heart
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by the way, i've got a whole shit load of these as i think wade does an excellent job with this stuff, if there is interest i'll keep posting more of these when i can.
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01-13-2006, 03:47 am
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quote:
originally posted by lion heart
keller: is there anyone who got less of a push because of you guys.
nash: no. never.
lol!
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01-13-2006, 07:11 pm
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quote:
originally posted by lion heart
by the way, i've got a whole shit load of these as i think wade does an excellent job with this stuff, if there is interest i'll keep posting more of these when i can.
this stuff is quality...would be awesome if you could post it all
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01-14-2006, 07:57 pm
#28
lion heart
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i am going to post it all for this one (i'll start posting more on monday when i have more time) but what i was wondering is if there'd be interest in me posting other torch talks.
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01-14-2006, 09:11 pm
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quote:
originally posted by lion heart
i am going to post it all for this one (i'll start posting more on monday when i have more time) but what i was wondering is if there'd be interest in me posting other torch talks.
yes!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!!!!!!!!!!!
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01-14-2006, 09:42 pm
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good stuff, keep it coming.
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